Five Easy Pieces (One Piano , Four Hands): Espanola - Produced by Igor Stravinsky, Anatoly Sheludyakov Song Details

Igor Stravinsky, Anatoly Sheludyakov's ' "Five Easy Pieces (One Piano , Four Hands): Espanola - Produced" was released on its scheduled release date, 2004. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "STRAVINSKY Piano Works". In this album, this song's track order is #24. Based on our statistics, Five Easy Pieces (One Piano , Four Hands): Espanola - Produced's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

BPM and Tempo

With Five Easy Pieces (One Piano , Four Hands): Espanola - Produced by Igor Stravinsky, Anatoly Sheludyakov having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Music Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 4%
Loudness: -26.492 dB
Acousticness: 100%
Danceability: 56%
Energy: 2%
Instrumentalness: 93%
Liveness: 12%
Loudness: 56%
Speechiness: 5%
Valence: 61%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
El amor brujo: Danza Ritual del Fuego	Manuel de Falla, Leonard Bernstein	A Major	2	11B	70 BPM
Symphony No.1 in E Major, Op. 26: I. Lento	Alexander Scriabin, London Symphony Orchestra, Valery Gergiev	E♭ Major	2	5B	139 BPM
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: VII. Death of Tybalt	Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons	G Major	1	9B	122 BPM
Firebird Suite - 1919 Version	Chicago Symphony Orchestra	B Major	1	1B	80 BPM
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B♭ Major	0	6B	82 BPM
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, Berliner Philharmoniker, Claudio Abbado	C Minor	0	5A	101 BPM
Gayane Suite No. 3: I. The Hunt - Andante	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	D Major	2	10B	92 BPM
Quatuor pour la fin du Temps: IV. Intermède	Olivier Messiaen, Martin Fröst	F♯ Major	2	2B	96 BPM
Symphony No. 8: III. Volante	Mihkel Kerem, Royal Liverpool Philharmonic Orchestra, Andrew Manze	E Minor	1	9A	106 BPM
The Planets, Op. 32: 6. Uranus, the Magician	Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit	C Major	2	8B	115 BPM
Oedipus Rex: Epilogue	Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft	D♭ Major	6	3B	90 BPM
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	1	6A	63 BPM
String Quartet No.8 In C Minor, Op.110: 1. Largo - Live	Dmitri Shostakovich, Emerson String Quartet	C Major	0	8B	60 BPM
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus	Olivier Messiaen, Lucas Debargue, Torleif Thedéen	E Major	0	12B	81 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Danzas fantásticas, Op. 22: I. Exaltación	Joaquín Turina, Juanjo Mena, BBC Philharmonic	E Minor	0	9A	129 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIa. Catacombae "Sepulcrum romanum"	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Minor	0	10A	67 BPM
Scheherazade, Op. 35: IV. Allegro molto	Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	D Minor	5	7A	96 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo	Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra	E♭ Major	1	5B	103 BPM
Symphony No. 5 In C Sharp Minor: 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) [Symphony No.5 in C sharp minor / Part 1]	Gustav Mahler, Wiener Philharmoniker, Pierre Boulez	D♭ Minor	1	12A	86 BPM
Piano Concerto in F Major: III. Allegro agitato	George Gershwin, André Previn, Andre Kostelanetz, André Kostelanetz Orchestra	E Major	2	12B	136 BPM
Pines of Rome, P. 141: I. I pini di Villa Borghese	Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta	C Minor	1	5A	90 BPM
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses	Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez	B Major	0	1B	142 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	149 BPM