"わが母の教えたまいし歌" by A. ドヴォルジャーク, 田端直美(サックス), 白石光隆(ピアノ) had its release date on November 24, 2012. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in アヴェ・マリア サクソフォン小品集, so we believe that "わが母の教えたまいし歌" is a single. わが母の教えたまいし歌 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of わが母の教えたまいし歌 by A. ドヴォルジャーク, 田端直美(サックス), 白石光隆(ピアノ) is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arrival of the Queen of Sheba | Constanze Hochwartner | A Minor | 0 | 8A | 67 BPM | ||
| Serenade, Op. 15 No. 1 | Moritz Moszkowski, Radio Symphony Orchestra | A♭ Minor | 4 | 1A | 155 BPM | ||
| Coperario, or Gray's Inn, the First | John Coprario, The Royal Wind Music, Paul Leenhouts | E♭ Minor | 0 | 2A | 72 BPM | ||
| Tartini: Trumpet Concerto in D Major, D. 53: I. Allegro moderato (Arr. Thilde After Violin Concerto) | Giuseppe Tartini, Maurice André, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 130 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Presto | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 129 BPM | ||
| パストラーレ(「メサイア」より) [弦楽六重奏] | 友田啓明, 木村道代, 岩村聡弘 | C Major | 1 | 8B | 79 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Fatto per la Notte di Natale": III. Adagio | Arcangelo Corelli, I Musici | F Major | 2 | 7B | 88 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| 6 Variations on 'Nel cor più non mi sento’, di G. Paisiello in G Major, Op. 42 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation 5 | Johann Baptist Vanhal, Claudio Ferrarini | E Major | 3 | 12B | 168 BPM | ||
| Morocco Wife | Mikko Finneman | B Minor | 1 | 10A | 84 BPM | ||
| Serse, HWV 40: Ombra mai fù | George Frideric Handel, Kolner Kammerorchester, Helmut Müller-Brühl | F Major | 1 | 7B | 133 BPM | ||
| Serenade in D Major, LMV VIII:9: VI. Adagio | Leopold Mozart, Fabrice Millischer, Bayerische Kammerphilharmonie, Reinhard Goebel | G Major | 1 | 9B | 100 BPM | ||
| 3 Marian Hymns for Flute & Organ: No. 3, O Sanctissima | Brian Henkelmann, Dominic Trumfio, Kelly Dobbs Mickus | E♭ Major | 1 | 5B | 72 BPM | ||
| Ave, Verum Corpus, K. 618 | Wolfgang Amadeus Mozart, Adelaide Symphony Orchestra, Alan Smith, Dawn Forster, Jennifer Newman, Ron Spigelman, Sherrilyn Handley | A Major | 0 | 11B | 137 BPM | ||
| Telemann: Horn Concerto in D Major, TWV 51:D8: II. Largo | Georg Philipp Telemann, Barry Tuckwell, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 72 BPM | ||
| Symphony in D Minor, Op. 2 No. 8 "Worcester Overture": II. Largo - Andante | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 115 BPM | ||
| Passacaille | Luigi Rossi, Franck Marcon | C Major | 1 | 8B | 175 BPM | ||
| Trumpet Concerto in D Major, FWV L:D1: II. Largo | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | D♭ Major | 0 | 3B | 179 BPM | ||
| フルート、シャリュモー、オーボエと2台のコントラバスのための協奏曲 ト長調 Iii- Presto | ゲオルク・フィリップ・テレマン, 有田正広, ラ・ストラヴァガンツァ・ケルン, ペーター・ヴェスターマン, デイン・ロバーツ, デイヴィッド・シンクレア, エリック・ヘープリッチ | D Major | 1 | 10B | 67 BPM | ||
| Chorale Prelude on East Acklam | James Flores | D Major | 0 | 10B | 128 BPM | ||
| Das Sühnopfer des neuen Bundes, Pt. 1: No. 7, Larghetto con moto | Carl Loewe, L'Arpa Festante Baroque Orchestra, Thomas Gropper | G Major | 0 | 9B | 74 BPM | ||
| Oboe Concerto in E-Flat Major, TWV 51:S1: I. Allegro | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | E♭ Major | 3 | 5B | 107 BPM | ||
| Tie lapsosen kulkee nyt korvessa maan | Vesa Kajava | E Minor | 1 | 9A | 140 BPM | ||
| Keyboard Concerto No. 2 in A Major, BR JCFB C 30a; Warb YC 91 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): III. Allegro (Cadenza: Mayer) | Albrecht Mayer, Johann Christoph Friedrich Bach, Berliner Barock Solisten | B♭ Major | 2 | 6B | 129 BPM | ||
| Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM |