Saviour Machine's 'The Invasion of Israel' had a release date set for January 1, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "The Legend, Pt. 1". In this album, this song's track order is #12. Based on our statistics, The Invasion of Israel's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Invasion of Israel by Saviour Machine having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aperture | Extol | D Minor | 1 | 7A | 179 BPM | ||
| Drink The Midnight Hymn | Virgin Black | A Minor | 4 | 8A | 130 BPM | ||
| I'm Not to Blame | Paramaecium | G Major | 9 | 9B | 123 BPM | ||
| Come, Let Us Speak | Grave Declaration | A♭ Minor | 10 | 1A | 100 BPM | ||
| A Virtual Lovestory | Conception | A♭ Major | 8 | 4B | 98 BPM | ||
| Laziness | Gospod | A♭ Major | 10 | 4B | 110 BPM | ||
| See No Evil | Holy Soldier | D♭ Minor | 9 | 12A | 125 BPM | ||
| In Hell | Renascent | B Minor | 10 | 10A | 105 BPM | ||
| Hell No | Bride | A Minor | 7 | 8A | 123 BPM | ||
| When We Pray | Warrel Dane | A♭ Major | 9 | 4B | 83 BPM | ||
| Hollow World | The Wounded | D♭ Major | 0 | 3B | 0 BPM | ||
| Passing Train | The Tremolo Union | D Major | 8 | 10B | 130 BPM | ||
| Stay Away From Evil | Sacred Warrior | C Major | 9 | 8B | 146 BPM | ||
| Revelation Song | TRYTAN, Lary Dean, Eric GIllette, Jim LaVerde | D Major | 7 | 10B | 85 BPM | ||
| The Vision of Resurrecting Flesh | Opus Irae | F Major | 4 | 7B | 143 BPM | ||
| Here There And Everywhere | Carr Wright | A Major | 10 | 11B | 153 BPM | ||
| Forgiveness Undone | Iterum Nata, King Dude | G Major | 4 | 9B | 130 BPM | ||
| Horse | Murray Fast | B♭ Minor | 8 | 3A | 123 BPM | ||
| The Ar - live in Stockholm 1994 | Tiamat | A Major | 9 | 11B | 141 BPM | ||
| Mist of the Spiritual Dimension | Crimson Moonlight | D♭ Minor | 10 | 12A | 103 BPM | ||
| In the Presence of Angels | Scandinavian Metal Praise | B Major | 9 | 1B | 122 BPM | ||
| Rebellion | Sacred Warrior | C Major | 8 | 8B | 104 BPM | ||
| Svartedauens Gjenkomst | Antestor | D Major | 8 | 10B | 111 BPM | ||
| Blood World | Mortification | D Major | 8 | 10B | 168 BPM | ||
| When the Reign Comes Down | Holy Soldier | A♭ Major | 8 | 4B | 152 BPM |