"Requiem: In paradisum" by Guy Ropartz, Catherine Dubosc, Jacqueline Mayeur, Michel Piquemal, Ensemble Instrumental Jean-Walter Audoli, Chœur régional Vittoria d'Ile de France had its release date on January 1, 2002. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Requiem: In paradisum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Ropartz-Requiem/Psaume 129/Messe breve". In this album, this song's track order is #8. Based on our statistics, Requiem: In paradisum's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Requiem: In paradisum by Guy Ropartz, Catherine Dubosc, Jacqueline Mayeur, Michel Piquemal, Ensemble Instrumental Jean-Walter Audoli, Chœur régional Vittoria d'Ile de France having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quintet No. 1 in B-Flat Minor: I. Moderato | Victor Ewald, Center City Brass Quintet | B♭ Minor | 0 | 3A | 68 BPM | ||
| Hindemith: Trumpet Sonata: I. Mit Kraft | Paul Hindemith, Alison Balsom | D Major | 1 | 10B | 119 BPM | ||
| Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | E Minor | 0 | 9A | 72 BPM | ||
| Sextet for Brass in E-Flat Minor, Op. 30: II. Allegro vivace | Oskar Böhme, Center City Brass Quintet, Jack Sutte | C Minor | 1 | 5A | 156 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Requiem, Op. 66 (version for 3 cellos and piano) | David Popper, Martin Rummel, Alexander Hülshoff, Bertin Christelbauer, Mari Kato | E♭ Major | 1 | 5B | 88 BPM | ||
| Ropartz: Jeunes filles: No. 5, La capricieuse | Guy Ropartz, Jean Doyen | B Major | 2 | 1B | 82 BPM | ||
| Piano Quintet "Fantasia": II | Carl Vine, Goldner String Quartet, Piers Lane | A Minor | 0 | 8A | 111 BPM | ||
| Fantasia for Alto Saxophone | Claude T. Smith, Otis Murphy, Cobb Wind Symphony, Alfred L. Watkins | E♭ Major | 2 | 5B | 152 BPM | ||
| 3 Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Céline Moinet, Florian Uhlig | A Major | 5 | 11B | 73 BPM | ||
| Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM | ||
| Symphony No. 1, Op. 9: I. Allegro ma non troppo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | D♭ Major | 0 | 3B | 106 BPM | ||
| Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
| Arban: Variations on the Carnival of Venice | Jean-Baptiste Arban, Sergei Nakariakov, Alexander Markovich | E♭ Major | 1 | 5B | 123 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: II. Allegro non troppe e grazioso | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | F♯ Major | 1 | 2B | 109 BPM | ||
| Romance, Op. 21. Moderato | Axel Jørgensen, Jörgen Van Rijen, Alla Libo | D Major | 0 | 10B | 136 BPM | ||
| Symphony No. 1 in F Minor, Op. 10: IV. Allegro molto - Lento - Allegro molto - Presto | Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie | B♭ Major | 1 | 6B | 142 BPM | ||
| Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt | F Minor | 1 | 4A | 128 BPM | ||
| Da Da DDD | Mike Bish | G Major | 0 | 9B | 110 BPM | ||
| Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Fantasia & Fugue in G Minor, BWV 542 "The Great" (Arr. for Orchestra by Sir Andrew Davis): I. Fantasia | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Suite for Flute and Piano Op. 34 No 1: I (moderato) | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | D♭ Major | 1 | 3B | 109 BPM | ||
| Wind & Earth | Simon Zöchbauer, Federspiel | A Minor | 0 | 8A | 111 BPM | ||
| Herzlich tut mich verlangen, BWV 727 (Arr. for Orchestra by Sir Andrew Davis) | Johann Sebastian Bach, Martyn Brabbins, BBC Philharmonic | E♭ Major | 0 | 5B | 73 BPM | ||
| Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: VII. Romeo at Juliet's Grave | Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons | C Major | 1 | 8B | 78 BPM |