Ten After Two's 'Well, Oh Well' had a release date set for March 28, 2011. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Truth Is…". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. The popularity of Well, Oh Well is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Well, Oh Well by Ten After Two having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| One Foot In The Grave | Jamie's Elsewhere | G Major | 10 | 9B | 75 BPM | ||
| Maybe Holding Hands Wasn't Such a Good Idea | Modern Day Escape | A Major | 8 | 11B | 94 BPM | ||
| Outsiders | Adestria | F Minor | 10 | 4A | 185 BPM | ||
| Cut Short | This Romantic Tragedy | F♯ Major | 9 | 2B | 110 BPM | ||
| Isadora Duncan | Burden Of A Day | F Major | 9 | 7B | 167 BPM | ||
| Keep Your Enemies Close | Woe, Is Me | D Major | 10 | 10B | 140 BPM | ||
| I Hate To See You Go | For All Those Sleeping | B Minor | 9 | 10A | 170 BPM | ||
| I Know You Know | In Fear And Faith | G Major | 9 | 9B | 94 BPM | ||
| A Starving Clock Comes Back for Seconds | Bruised But Not Broken | D Minor | 10 | 7A | 150 BPM | ||
| Fightin' Words | Casino Madrid | F Minor | 10 | 4A | 157 BPM | ||
| For the First Time in a Long Time | The Words We Use | A♭ Major | 10 | 4B | 123 BPM | ||
| Call It Reckless | Scarlett O'Hara | D♭ Minor | 10 | 12A | 163 BPM | ||
| So Far Away | This Romantic Tragedy | D Major | 10 | 10B | 150 BPM | ||
| Bill's Got Only a Pair of Queens | Hopes Die Last | F♯ Minor | 9 | 11A | 95 BPM | ||
| The Ugly Tree | Casino Madrid | D♭ Major | 9 | 3B | 74 BPM | ||
| Crawling Toward Forgiveness | Before Their Eyes | F♯ Major | 9 | 2B | 102 BPM | ||
| Refuge In Purpose | My Ticket Home | A♭ Major | 9 | 4B | 145 BPM | ||
| 99 With An Anchor | A Thorn For Every Heart | E Minor | 9 | 9A | 100 BPM | ||
| Don’t Jump The Shark Before You Save The Whale | Broadway, Jonny Craig (of Emarosa) | E Minor | 10 | 9A | 170 BPM | ||
| Robots | Casino Madrid | B♭ Minor | 10 | 3A | 125 BPM | ||
| A Slave, A Son | Jamie's Elsewhere | B♭ Major | 10 | 6B | 90 BPM | ||
| I Am Jack's Smirking Revenge | I See Stars | F Major | 9 | 7B | 162 BPM | ||
| Moving Mountains | We're Not Friends Anymore | F Minor | 9 | 4A | 86 BPM | ||
| Days Run Long | Mikoto | D♭ Major | 10 | 3B | 97 BPM | ||
| Run Away | For All Those Sleeping | F♯ Minor | 10 | 11A | 167 BPM |