Chris Murray's ' "River Bank" was released on its scheduled release date, October 23, 2009. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Yard Sale by Chris Murray. The song's track number on the album is #14 out of 20 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, River Bank's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since River Bank by Chris Murray has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With River Bank being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 2 | 6A | 136 BPM | ||
| Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
| Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
| Symphony No. 5 in E-Flat Major, Op. 82: 3. Allegro molto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 94 BPM | ||
| Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | ||
| The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | ||
| African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | D Major | 1 | 10B | 85 BPM | ||
| Tommy's Song | Hepcat | A♭ Minor | 7 | 1A | 127 BPM | ||
| 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
| Handel / Arr Pluhar: Sinfonia (From Alcina HWV 34) | George Frideric Handel, Christina Pluhar, L'Arpeggiata | F Major | 3 | 7B | 120 BPM | ||
| Orientale | César Cui, Yehuda Hanani, Eliot Fisk | G Minor | 0 | 6A | 171 BPM | ||
| Better to Know | Chris Murray | G Major | 6 | 9B | 142 BPM | ||
| Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
| Trout Quintet: Finale | Franz Schubert, Boris Berezovsky, Soloists of the Royal Opera House Orchestra, Covent Garden, Vasko Vassiliev, Andrew Staples, Christopher Vanderspar, Tony Hougham | E♭ Major | 0 | 5B | 75 BPM | ||
| Liebestraum No. 3 in A-Flat Major, S. 541 / 3 | Franz Liszt, Lang Lang | A♭ Major | 0 | 4B | 137 BPM | ||
| Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Zubin Mehta, New York Philharmonic, Isaac Stern, Itzhak Perlman | F Major | 2 | 7B | 83 BPM | ||
| Shame and Scandal in the Family | Orquestra Brasileira de Música Jamaicana, Chris Murray | F Major | 9 | 7B | 125 BPM | ||
| Swan Lake, Op. 20a, TH 219: Russian Dance | Pyotr Ilyich Tchaikovsky, Michael Tilson Thomas, Joshua Bell, Berliner Philharmoniker | A Minor | 0 | 8A | 104 BPM | ||
| Brahms: Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Itzhak Perlman, Carlo Maria Giulini, Chicago Symphony Orchestra | G Major | 3 | 9B | 87 BPM | ||
| Everything'll Be Alright | Chris Murray | A Major | 8 | 11B | 139 BPM | ||
| Mahler / Transcr. Tharaud: Symphony No. 5 in C-Sharp Minor, Pt. 3: IV. Adagietto | Gustav Mahler, Alexandre Tharaud | F Major | 0 | 7B | 71 BPM | ||
| Song without Words, Op. 109 | Felix Mendelssohn, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
| Fauré: Berceuse, Op. 16 | Gabriel Fauré, Renaud Capuçon, Michel Dalberto | D Major | 0 | 10B | 133 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM |