Paul Gonsalves's ' "Body And Soul" was released on its scheduled release date, September 24, 1963. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Tell It The Way It Is". In this album, this song's track order is #6. Body And Soul is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Body And Soul by Paul Gonsalves having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Pilgrim | Elian Tumbao | F Major | 2 | 7B | 99 BPM | ||
| A November Afternoon | Art Farmer & Benny Golson Jazztet | F Minor | 5 | 4A | 115 BPM | ||
| Gone With the Wind / Tenderly / Ramona | Enrique Villegas, Paul Gonsalves, Willie Cook | E♭ Major | 1 | 5B | 64 BPM | ||
| Chelsea Bridge | Billy Strayhorn | A♭ Major | 1 | 4B | 76 BPM | ||
| Tangled Emotions | Rhea Stark | G Major | 2 | 9B | 110 BPM | ||
| Bad Girl - Rudy Van Gelder Edition/2009 Remaster | Leo Parker | G Minor | 3 | 6A | 103 BPM | ||
| The Folks Who Live On The Hill | Nat Adderley, The Big Sax Section | C Major | 1 | 8B | 74 BPM | ||
| So In Love | Hampton Hawes Trio | F Minor | 1 | 4A | 126 BPM | ||
| Slowly | Shelly Manne | F Minor | 2 | 4A | 78 BPM | ||
| Carvon | Curtis Fuller | A♭ Major | 5 | 4B | 100 BPM | ||
| No blues | Horace Parlan | F Major | 3 | 7B | 91 BPM | ||
| Strange Feeling | Billy Strayhorn | F Minor | 1 | 4A | 101 BPM | ||
| The Goof And I | Serge Chaloff | C Minor | 4 | 5A | 155 BPM | ||
| Abend in Einer Bar | DePaule | F Major | 0 | 7B | 87 BPM | ||
| Stranger In Paradise - Remastered 1999 | Tina Brooks | C Minor | 5 | 5A | 165 BPM | ||
| Muskrat Ramble | Cat Anderson, Buster Cooper, Russell Procope, Paul Gonsalves | A♭ Major | 6 | 4B | 121 BPM | ||
| Last Train Swing | Diner Express | G Major | 2 | 9B | 111 BPM | ||
| A Gathering in a Clearing | Cat Anderson, Buster Cooper, Russell Procope, Paul Gonsalves | F Minor | 8 | 4A | 133 BPM | ||
| Diminuendo And Crescendo In Blue - Live in London, January 22, 1963 | Duke Ellington Orchestra, Paul Gonsalves | F Minor | 6 | 4A | 119 BPM | ||
| Manhattan After Dark | The 50th Floor | E♭ Major | 0 | 5B | 116 BPM | ||
| South Side Soul | The John Wright Trio | C Minor | 1 | 5A | 89 BPM | ||
| Understand | Austyn Ziemann | A Minor | 1 | 8A | 118 BPM | ||
| Night After Night | Nat Adderley, The Big Sax Section | F Minor | 0 | 4A | 53 BPM | ||
| Be Bop Romp | Fats Navarro | A♭ Major | 4 | 4B | 112 BPM | ||
| Where Are You? | The Ben Webster Quintet | A♭ Minor | 0 | 1A | 83 BPM |