"Contigo en la Distancia" by Harold López-Nussa had its release date on June 15, 2018. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Un Día Cualquiera". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Contigo en la Distancia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Contigo en la Distancia by Harold López-Nussa having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Una rosa de francia | Miriam Ramos, Harold López-Nussa | E Major | 2 | 12B | 147 BPM | ||
| Flocons | The Sunset Hill Jazz Band, Paul Rossy | A Minor | 4 | 8A | 147 BPM | ||
| I Want To Feel Good Pt. 2 | The Bad Plus | A♭ Major | 8 | 4B | 121 BPM | ||
| Better | Larry Goldings, Kaveh Rastegar, Abe Rounds | B♭ Major | 4 | 6B | 132 BPM | ||
| Gettin' To It | Christian McBride | F♯ Major | 4 | 2B | 100 BPM | ||
| Stuck Inside a Wall | Rikard From | G Major | 5 | 9B | 92 BPM | ||
| Coral Way | Alfredo Rodriguez | C Minor | 5 | 5A | 97 BPM | ||
| Silent Dancer | Yusuke Shima, Silent Jazz Case | F Major | 6 | 7B | 103 BPM | ||
| Cimarrón | Harold López-Nussa | A♭ Major | 2 | 4B | 133 BPM | ||
| It Might as Well Be Spring | Caity Gyorgy, Kyle Pogline | C Major | 5 | 8B | 100 BPM | ||
| Bonito y Sabroso - Live | Harold López-Nussa | F Minor | 6 | 4A | 155 BPM | ||
| Chillin Con Tumbao | Yissy García, Harold López-Nussa | A♭ Major | 7 | 4B | 100 BPM | ||
| Driftwood | Fergus McCreadie | C Major | 5 | 8B | 115 BPM | ||
| Händelse | Förnuft och Känsla | F Major | 3 | 7B | 92 BPM | ||
| Where The Nubians Grow | Endea Owens | B♭ Minor | 7 | 3A | 183 BPM | ||
| Aggua | Roberto Fonseca | C Minor | 6 | 5A | 135 BPM | ||
| E'cha | Stefon Harris, David Sánchez, Christian Scott aTunde Adjuah, Harold López-Nussa | C Major | 5 | 8B | 84 BPM | ||
| Fly with Me | Ibrahim Maalouf, Endea Owens | G Minor | 6 | 6A | 75 BPM | ||
| Hope | Harold López-Nussa | C Major | 2 | 8B | 125 BPM | ||
| Busted by the Blues | Rikard From | G Minor | 1 | 6A | 104 BPM | ||
| The Shape of Blue | Gathering in Jazz | B♭ Minor | 4 | 3A | 81 BPM | ||
| Habana Sin Sábanas | Harold López-Nussa | F Major | 7 | 7B | 120 BPM | ||
| Oscar Please Stop | Roberto Fonseca | C Minor | 5 | 5A | 165 BPM | ||
| No soy de esos | Roberto Fonseca | G Minor | 3 | 6A | 118 BPM | ||
| Just The Beginning | Armel Dupas Trio | A♭ Major | 2 | 4B | 93 BPM |