On September 6, 1996, the song "Chaudah Baras Ke Van Ke" was released by Neena, Rajendra Mehta. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Neena, Rajendra Mehta's "Hari-Leela (Krishna Bhajan)" album is number 1 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Chaudah Baras Ke Van Ke's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Chaudah Baras Ke Van Ke by Neena, Rajendra Mehta to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phir Se Mausam Bahaaron | Jagjit Singh | G Major | 3 | 9B | 130 BPM | ||
| Is Bhari Duniya Mein - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | G Minor | 4 | 6A | 146 BPM | ||
| Thumak Chalat Ramchandra | Lata Mangeshkar | B Minor | 5 | 10A | 92 BPM | ||
| Kabhi Aah Lab Pe Machal Gayi | Ghulam Ali | A Major | 3 | 11B | 130 BPM | ||
| Nazar Mujhse | Ahmed Hussain, Mohammed Hussain | A♭ Minor | 4 | 1A | 154 BPM | ||
| Jagat Me Maa | Praveen-dimple | F♯ Minor | 3 | 11A | 72 BPM | ||
| Tamanna Phir Machal Jaye | Jagjit Singh | B♭ Major | 5 | 6B | 114 BPM | ||
| Gathadi Bandh Ke Chor Chala Hai | Neena, Rajendra Mehta | A Major | 5 | 11B | 150 BPM | ||
| Ankhon Mein Kajal Hai | Babul Supriyo, Sadhana Sargam | F♯ Major | 6 | 2B | 114 BPM | ||
| Ram ko dekh kar (Live in London) | Maithili Thakur | F♯ Major | 4 | 2B | 90 BPM | ||
| Sare Gaon Ki Ladli | Omi | G Minor | 3 | 6A | 115 BPM | ||
| Chhainha Bhuinya Na Chod | Sunil Sharma | D Major | 2 | 10B | 114 BPM | ||
| Sabne Tumhein Pukara Shree Ram Ji | Hariharan | A♭ Minor | 4 | 1A | 86 BPM | ||
| Hamare Sath Shri Raghunath (Prayer Meet of Smt Kailash Rani Ji Bhajan) | Charan Ji | D♭ Major | 3 | 3B | 121 BPM | ||
| Aaj Biraj Mein Holi Re Rasiya | Amrita Chaturvedi, Upadhyay | C Major | 8 | 8B | 90 BPM | ||
| Aao Shiv Ka Dhyan Karen | Brahma Kumari | D Major | 6 | 10B | 82 BPM | ||
| Zindagi Ko Khushi Chahe | Pankaj Udhas | F♯ Minor | 5 | 11A | 150 BPM | ||
| Teri Nigah Pe Sab Kuchh, Pt. 2 | Mohammed Aziz, Sukhwinder Singh | E♭ Major | 8 | 5B | 140 BPM | ||
| Sampooran Sundar Kaand | Babla Mehta | D♭ Major | 2 | 3B | 110 BPM | ||
| Prem Mudit Man Se Kaho | Anuradha Paudwal | E Major | 6 | 12B | 151 BPM | ||
| Koi Jab Tumhara Hriday Tod De | Mukesh, Kalyanji-Anandji | G Major | 3 | 9B | 146 BPM | ||
| Man Tera Mandir Ankhen Diya Bati | Mahendra Kapoor, Dilraj Kaur | G Major | 6 | 9B | 99 BPM | ||
| Jab Se Dekha Hai | Naresh Sharma, Nitin Mukesh, Falguni Sheth | D♭ Major | 5 | 3B | 112 BPM | ||
| Sunle Tu Binati Meri Haji Ali | Aziz Nazan Qawwal, R. D. Burman | G Major | 7 | 9B | 96 BPM | ||
| Jaisee Main Aavai | Bhai Nirmal Singh | F♯ Major | 4 | 2B | 94 BPM |