On 1966, the song "Ty Chceš Každého Mít Ráda" was released by Karel Vlach se svým orchestrem, Jaromír Mayer. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Ty Chceš Každého Mít Ráda's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Karel Vlach se svým orchestrem's "Karel Vlach 20 Let S Orchestrem I." album is number 11 out of 16. On top of that, Czechia appears to be the country where this track was created. In terms of popularity, Ty Chceš Každého Mít Ráda is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ty Chceš Každého Mít Ráda by Karel Vlach se svým orchestrem, Jaromír Mayer to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hádej, Matyldo | Karel Hála | A♭ Major | 5 | 4B | 127 BPM | ||
| Učiteľka Tanca | Karel Vlach se svým orchestrem | C Major | 4 | 8B | 121 BPM | ||
| Tereza | Waldemar Matuška | A Major | 2 | 11B | 117 BPM | ||
| Dej Mi Víc Své Lásky | Olympic | A Major | 2 | 11B | 117 BPM | ||
| Dva Roky Prázdnin | Karel Černoch, Studiový orchestr | A Minor | 3 | 8A | 106 BPM | ||
| Markétka | Marie Rottrova | D Minor | 7 | 7A | 113 BPM | ||
| Pratele zeleneho udoli | Richard Genzer, MIchal Suchanek | C Major | 7 | 8B | 122 BPM | ||
| Prstýnek | Josef Zíma | D♭ Major | 2 | 3B | 77 BPM | ||
| Hudba Kolem Nás | Arnošt Kavka, Karel Vlach se svým orchestrem | C Major | 2 | 8B | 114 BPM | ||
| My Dva A Čas | Milan Chladil, Yvetta Simonová | C Major | 4 | 8B | 102 BPM | ||
| Jez | Ivan Mladek, Banjo Band Ivana Mladka | C Major | 9 | 8B | 123 BPM | ||
| Zákaz Předjíždění | Petr Rezek, Hana Zagorová | E Major | 6 | 12B | 97 BPM | ||
| To Je Mi Pěkné Probuzení | Cesky Narodni Symfonicky Orchestr, Oskar Rózsa, Alžbeta Bartošová, Tomas Klus, Skety Choir | F Major | 3 | 7B | 103 BPM | ||
| Robinson | Jiří Korn | D♭ Major | 4 | 3B | 90 BPM | ||
| Medvědi Nevědí | Ivan Mladek, Banjo Band Ivana Mladka, Jan Bošina | G Major | 7 | 9B | 94 BPM | ||
| Drahý Můj | Jiří Grossmann, Naďa Urbánková | C Major | 3 | 8B | 115 BPM | ||
| Hej, Pane Králi! | Jan Werich | F Minor | 6 | 4A | 114 BPM | ||
| Červená Karkulko | Cesky Narodni Symfonicky Orchestr, Oskar Rózsa, Zdenek Piskula, Lucie Štouračová, Skety Choir | C Major | 3 | 8B | 171 BPM | ||
| Roň Slzy | Yvonne Přenosilová | C Minor | 4 | 5A | 107 BPM | ||
| Jedeme Dál | Petra Janů, Petr Janda | E Major | 8 | 12B | 180 BPM | ||
| Povídej | Petr Novak | G Major | 4 | 9B | 109 BPM | ||
| Jsi Můj I Její | Helena Blehárová, Karel Vlach se svým orchestrem | D Major | 4 | 10B | 80 BPM | ||
| A ještě víc | Milan Chladil, Karel Vlach, Karel Vlach se svým orchestrem | G Minor | 5 | 6A | 134 BPM | ||
| Kdyby Tisíc Klarinetů | Karel Vlach se svým orchestrem | B♭ Major | 3 | 6B | 111 BPM | ||
| Oliver Twist | Eva Pilarová, Waldemar Matuška, Karel Štědrý | F♯ Minor | 6 | 11A | 173 BPM |