Aftershock's ' "Pay Attention" was released on its scheduled release date, May 14, 2007. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Shock To The System". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Pay Attention's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Pay Attention by Aftershock having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cursed Be The Blessed | End This Day | B Minor | 10 | 10A | 81 BPM | ||
| Nothing | Aftershock | F Major | 9 | 7B | 95 BPM | ||
| Amaranth | Disembodied | F Major | 9 | 7B | 88 BPM | ||
| Round And Round | Aftershock | B Major | 8 | 1B | 144 BPM | ||
| Tyranny of Small Misery | Caliban | A Major | 9 | 11B | 99 BPM | ||
| Misfortune | Excessive Force | A Major | 10 | 11B | 155 BPM | ||
| Silently Chocking On Her Regret | End This Day | B Minor | 9 | 10A | 107 BPM | ||
| No One Gets Out Alive | Kickback | A Major | 9 | 11B | 147 BPM | ||
| A Eulogy On The Lips Of The Dead | End This Day | G Major | 10 | 9B | 117 BPM | ||
| Arena of Concealment | Caliban | A Major | 10 | 11B | 97 BPM | ||
| Substantial Guilt Vs. The Irony Of Enjoying | Ion Dissonance | D♭ Major | 10 | 3B | 60 BPM | ||
| Songs of Deliverance | xDELIVERANCEx | D Major | 9 | 10B | 95 BPM | ||
| The Darkest Crime | Arkangel | A♭ Major | 9 | 4B | 116 BPM | ||
| Turn My Back | Built Upon Frustration | F Minor | 10 | 4A | 77 BPM | ||
| Fifteen Rhema | Zao | A Major | 9 | 11B | 112 BPM | ||
| Legions Bow To A Faceless God | As Hope Dies | A♭ Major | 10 | 4B | 105 BPM | ||
| Visualize Industrial Collapse | Day Of Suffering | G Major | 8 | 9B | 94 BPM | ||
| The Boston Tea Bag Party | Burnt By The Sun | A♭ Major | 9 | 4B | 143 BPM | ||
| Eye of the World | GRIMLOCK | F♯ Minor | 10 | 11A | 101 BPM | ||
| She Looks Good In Velvet | Eighteen Visions | G Major | 7 | 9B | 140 BPM | ||
| 12/23/93 | Poison The Well | C Major | 9 | 8B | 144 BPM | ||
| Torn Self | Dead To Fall | B Major | 9 | 1B | 200 BPM | ||
| Drawing Blood from a Stone | Invocation of Nehek | G Major | 9 | 9B | 130 BPM | ||
| Constructive Deconstruction (7 Version) | AFTeRSHOCK | B♭ Minor | 9 | 3A | 95 BPM | ||
| Ways To Destroy One's Ambition | Vision Of Disorder | D Major | 9 | 10B | 84 BPM |