On January 1, 1975, the song "The Seventh Son" was released by Mose Allison. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. The Seventh Son's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 20 in Creek Bank by Mose Allison. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Seventh Son is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Seventh Son by Mose Allison is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hear Me Talking To You | Norbert Susemihl, Jason Marsalis, Erika Lewis, Shaye Cohn | C Major | 3 | 8B | 124 BPM | ||
| Night Train | Oscar Peterson Trio | C Major | 1 | 8B | 104 BPM | ||
| Funky Broadway | Jimmy Smith | A♭ Major | 5 | 4B | 125 BPM | ||
| 36-22-36 | Bobby "Blue" Bland | F Major | 2 | 7B | 61 BPM | ||
| Milestones | Mark Murphy | F Major | 4 | 7B | 137 BPM | ||
| Blue Note Boogie | James P. Johnson | D♭ Major | 3 | 3B | 105 BPM | ||
| Am I Blue | Sheila Jordan | C Major | 0 | 8B | 74 BPM | ||
| Sugar | Stanley Turrentine | C Minor | 5 | 5A | 124 BPM | ||
| Baby, Let Me Hold Your Hand | Mose Allison | F Major | 2 | 7B | 61 BPM | ||
| Barefoot Sunday Blues | Cannonball Adderley Quartet | F Major | 3 | 7B | 133 BPM | ||
| Smack Up | Art Pepper Quintet | C Major | 4 | 8B | 124 BPM | ||
| Pink Champagne | Joe Liggins | F Major | 2 | 7B | 61 BPM | ||
| One Scotch, One Bourbon, One Beer | Amos Milburn | F Major | 2 | 7B | 61 BPM | ||
| It's All Right | Wynton Kelly Trio | C Major | 3 | 8B | 116 BPM | ||
| Art Deco | Don Cherry | F Major | 2 | 7B | 109 BPM | ||
| How High The Moon | Slim Gaillard | G Major | 2 | 9B | 96 BPM | ||
| Leavin' This Morning | Odetta | F Minor | 5 | 4A | 112 BPM | ||
| Sittin' Duck | Gene Harris & The Three Sounds | C Major | 6 | 8B | 77 BPM | ||
| Funky Mama - Remastered 2003/Rudy Van Gelder Edition | Lou Donaldson | G Major | 4 | 9B | 122 BPM | ||
| Blues For Nica - Remastered 2025 | Kenny Drew, Paul Chambers, Philly Joe Jones | C Major | 4 | 8B | 102 BPM | ||
| Moving On (Towards Better Days) | Luke Winslow-King | F Major | 2 | 7B | 119 BPM | ||
| Centerpiece | Lambert, Hendricks & Ross | D♭ Major | 3 | 3B | 105 BPM | ||
| The Beat Goes On - Live At Chez Club, Hollywood/1966/Remix | Buddy Rich Big Band | A Minor | 9 | 8A | 158 BPM | ||
| Stolen Moments | Mark Murphy | F Major | 2 | 7B | 61 BPM | ||
| Cantaloupe Island | Nat Adderley | C Minor | 4 | 5A | 118 BPM |