Hiroko Yakushimaru's '明日が来る' had a release date set for May 9, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in エトワール, so we believe that "明日が来る" is a single. The popularity of 明日が来る is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 明日が来る by Hiroko Yakushimaru is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 戦士の休息 - Live | Hiroko Yakushimaru | B♭ Major | 4 | 6B | 138 BPM | ||
| Ashita ni Shimasyou | Eri Hiramatsu | G Minor | 6 | 6A | 174 BPM | ||
| ふたりきり | Nobue Matsubara | F Major | 6 | 7B | 184 BPM | ||
| 二人の夏 | Megumi Shiina | F Major | 4 | 7B | 120 BPM | ||
| love・・・ | Sachiko Kumagai | F Major | 3 | 7B | 140 BPM | ||
| 生きて行くこと、生きて在ること | Kei Ogura | A Minor | 5 | 8A | 134 BPM | ||
| 聖なる山に私を連れて行き | Vineyard Christian Fellowship Japan | G Major | 3 | 9B | 130 BPM | ||
| 夏のこだま | 小川範子 | C Major | 6 | 8B | 133 BPM | ||
| 揺れてそちらへ | 大島由香里 | D Major | 5 | 10B | 171 BPM | ||
| 時が過ぎれば | Hiroshi Kano | B♭ Minor | 5 | 3A | 86 BPM | ||
| Sea wind | Mai Kuraki | G Major | 4 | 9B | 125 BPM | ||
| 優しい雨(Live at THEATER MILANO-Za 2024.11.3) | Kyoko Koizumi | D Major | 5 | 10B | 171 BPM | ||
| 輝くいまがあるから | わたなべまき | G Major | 6 | 9B | 110 BPM | ||
| いいから抱いて・・・ | Yuki Kadokura | B♭ Major | 4 | 6B | 172 BPM | ||
| Koi no Syounin | Eri Hiramatsu | G Minor | 6 | 6A | 174 BPM | ||
| 胸の振子 | Hiroko Yakushimaru | A♭ Major | 4 | 4B | 176 BPM | ||
| そこには 幸せが もう生まれているから | Agnes Chan | F Minor | 6 | 4A | 105 BPM | ||
| 金色の陽ざし | Takako Okamura | A Major | 8 | 11B | 105 BPM | ||
| 待ってあげて | Takajin Yashiki | F Major | 4 | 7B | 86 BPM | ||
| あの唄 | 因幡晃 | A Minor | 2 | 8A | 136 BPM | ||
| なにもしたくない | From Next Door | E♭ Major | 4 | 5B | 97 BPM | ||
| 片想いの少女へ | Iruka | G Major | 4 | 9B | 77 BPM | ||
| 幸せをありがとう | Megumi Shiina | B♭ Major | 3 | 6B | 118 BPM | ||
| こまくさ帰行 | Kumi Iwamoto | F Major | 6 | 7B | 141 BPM | ||
| あい | たいちろー☆ | D Major | 5 | 10B | 171 BPM |