Giuseppe Maria Cambini, Claudio Ferrarini, Jodi Leskowitz's ' "Six duo per flauto e viola obbligata, Op. 4: III. Duo in do maggiore: I. Allegro" was released on its scheduled release date, August 20, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Giuseppe Maria Cambini, Claudio Ferrarini, Jodi Leskowitz's "Giuseppe Maria Cambini: Six Duo Op. 4 per flauto e viola obbligata (Paris 1778)" album is number 5 out of 12. Based on our statistics, Six duo per flauto e viola obbligata, Op. 4: III. Duo in do maggiore: I. Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Six duo per flauto e viola obbligata, Op. 4: III. Duo in do maggiore: I. Allegro by Giuseppe Maria Cambini, Claudio Ferrarini, Jodi Leskowitz to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony Concertante No. 4 in D Major: III. Presto | Giuseppe Maria Cambini, Marco Zuccarini, Paolo Pollastri, Symphonia Perusina, Massimo Mercelli | D Major | 1 | 10B | 176 BPM | ||
| Dittersdorf: Symphony concertante for Viola and Double Bass in D Major: III. Menuetto e Trio | Carl Ditters von Dittersdorf, Sir Neville Marriner, Rodney Slatford, Stephen Shingles, Academy of St. Martin in the Fields | D Major | 1 | 10B | 108 BPM | ||
| 6 Hungarian Dances: No. 5, Andante | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | E♭ Major | 0 | 5B | 108 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
| Susanna Galliard | John Dowland, The Royal Wind Music, Paul Leenhouts | D♭ Major | 1 | 3B | 76 BPM | ||
| Occhi Lucenti e Belli | The Royal Wind Music | E♭ Minor | 1 | 2A | 70 BPM | ||
| Das Waldmädchen: No. 6, Allegretto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 139 BPM | ||
| Galliard | William Brade, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 63 BPM | ||
| Das listige Bauernmädchen: No. 11, Allegro molto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | C Major | 1 | 8B | 78 BPM | ||
| Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Ernst Ottensamer, Slovak Radio Symphony Orchestra, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 77 BPM | ||
| Symphony No. 17 in C Major: II. Adagio ma non troppo | William Herschel, Matthias Bamert, London Mozart Players | A Major | 1 | 11B | 154 BPM | ||
| Sonatina in D Major, Wq. 96 H. 449: II. Allegro | Carl Philipp Emanuel Bach, Orazio Sciortino, Orchestra di Padova e del Veneto | E Minor | 0 | 9A | 139 BPM | ||
| Concerto in E minor for oboe, strings and basso continuo: IiI. Largo | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | E♭ Minor | 1 | 2A | 86 BPM | ||
| Bassoon Concerto in D Minor, RV 481: III. Allegro molto | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | D Minor | 2 | 7A | 134 BPM | ||
| Bassoon Concerto in D Minor, RV 481: II. Andante | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | B Major | 7 | 1B | 110 BPM | ||
| Symphony in E-Flat Major "Jagd-Sinfonie", P31: I. Adagio - Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | E♭ Major | 0 | 5B | 86 BPM | ||
| Concerto grosso in B Minor, Op. 6 No. 12, HWV 330: V. Allegro | George Frideric Handel, Iona Brown, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 96 BPM | ||
| Violin Concerto in G Major, Op. 2 No. 1: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Major | 1 | 9B | 124 BPM | ||
| Handel: Water Music, Suite No. 1 in F Major, HWV 348: II. Adagio e staccato | George Frideric Handel, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Minor | 0 | 12A | 65 BPM | ||
| Andante sostenuto | Gaetano Donizetti, Eva Oertle, Vesselin Stanev | A Minor | 1 | 8A | 176 BPM | ||
| Wind Quintet No. 1 in B-Flat Major: I. Allegro maestoso | Giuseppe Maria Cambini, Ensemble dell'Accademia | C Major | 1 | 8B | 122 BPM | ||
| Symphony in A Major: III. Presto | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | A Major | 3 | 11B | 133 BPM | ||
| Overture in D Major, Op. 8, No. 4: II. Un poco andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 0 | 9B | 165 BPM | ||
| Sonata en quator: III. Gravement | Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries | B Minor | 1 | 10A | 64 BPM | ||
| Bassoon Concerto in C Major, RV 473: II. Largo | Antonio Vivaldi, Sergio Azzolini, L'Onda Armonica | D Major | 1 | 10B | 81 BPM |