"Aria sulla quarta corda (Seven)" by Compagnia d'Opera Italiana Orchestra had its release date on April 18, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Great Orchestral Cinema Classics". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Italy. In terms of popularity, Aria sulla quarta corda (Seven) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aria sulla quarta corda (Seven) by Compagnia d'Opera Italiana Orchestra having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La danza delle ore | Radio Symphony Orchestra | E Minor | 1 | 9A | 132 BPM | ||
| Antonio Vivaldi: Concerto For 2 Violins In A Minor, Op. 3 No. 8 - Allegro (Mouvement 1) | Tafelmusik Baroque Orchestra | A♭ Minor | 2 | 1A | 115 BPM | ||
| Il Barbiere Di Siviglia: "Largo Al Factotum" | Eliezer Kepecs, Compagnia d'Opera Italiana Orchestra, Antonello Gotta | C Major | 3 | 8B | 130 BPM | ||
| Danza delle ore | Orchestra Italiana | E Major | 1 | 12B | 80 BPM | ||
| Carmen: Près des remparts de Seville (Orchestral Backing Track Karaoke Version) | Compagnia d'Opera Italiana Orchestra, Antonello Gotta | G Major | 1 | 9B | 91 BPM | ||
| Waltzes in D-Flat Major, Op.64: No.1 Minute Waltz | Emiliano Bucci | F♯ Minor | 2 | 11A | 122 BPM | ||
| Giochi Proibiti | Mauro Storti | E Minor | 3 | 9A | 125 BPM | ||
| Concerto pour violon en re majeur, Op. 35 (Extraits) | Budapest Symphonie Orchesta, Sarah Nemtanu | D Major | 1 | 10B | 84 BPM | ||
| Serenade In G Major "Eine Kleine Nachtmusik", K. 525: I. Allegro | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | F♯ Major | 0 | 2B | 147 BPM | ||
| Macbeth: "Ah La Paterna Mano" | Eliezer Kepecs, Antonello Gotta, Compagnia d'Opera Italiana Orchestra | D♭ Major | 2 | 3B | 89 BPM | ||
| Serenata per archi in E Major, Op. 22, B. 52: II. Menuetto. Allegro con moto - Live Recording | Antonín Dvořák, I Virtuosi del Teatro alla Scala | D Minor | 1 | 7A | 75 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
| Overture | Gioachino Rossini, Prague Sinfonia Orchestra, Christian Benda | E Major | 1 | 12B | 102 BPM | ||
| Aida / Act 2: Marcia | Giuseppe Verdi, Orchestra Del Teatro Dell'Opera Di Roma, Sir Georg Solti | F Minor | 3 | 4A | 148 BPM | ||
| Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
| La Fedelissima | Banda dell'Arma dei Carabinieri | A♭ Major | 5 | 4B | 123 BPM | ||
| Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony Orchestra | G Major | 2 | 9B | 197 BPM | ||
| Piano Quartet No. 1 in G Minor, K. 478: II. Andante | Wolfgang Amadeus Mozart, Emanuel Ax, Isaac Stern, Jaime Laredo, Yo-Yo Ma | B♭ Major | 0 | 6B | 67 BPM | ||
| Danza ungherese N. 5 | National Symphony Orchestra, Ivan Swoboda | G Minor | 3 | 6A | 168 BPM | ||
| Vier Jahreszeiten - Winter - I. Allegro non molto | I Solisti di Zagreb, Alexander Perovsky | F Minor | 1 | 4A | 144 BPM | ||
| Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
| Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
| Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
| Guillaume Tell: Overture: Allegro vivace (Finale) | Gioachino Rossini, Valery Gergiev, Wiener Philharmoniker | E Major | 4 | 12B | 151 BPM |