Harry Rabinowitz, RCA Symphony Orchestra's ' "Goldfinger" was released on its scheduled release date, September 25, 2013. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Goldfinger's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Reader's Digest Music: The Bond Mix and Other Spy Movie Themes". In this album, this song's track order is #2. Goldfinger is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Goldfinger by Harry Rabinowitz, RCA Symphony Orchestra having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Secret Agent: Simple | Philip Glass, English Chamber Orchestra, Michael Riesman, Harry Rabinowitz | C Minor | 1 | 5A | 97 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
| Cinema Paradiso Theme - From "Cinema Paradiso" | Orchestre Filmharmonique, Francis Choinière | F Major | 1 | 7B | 78 BPM | ||
| By The Sleepy Lagoon: By the Sleepy Lagoon | Eric Coates, Slovak Radio Symphony Orchestra, Andrew Penny | C Major | 2 | 8B | 134 BPM | ||
| Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| Le dîner - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | E♭ Major | 2 | 5B | 67 BPM | ||
| Beau Soir - Voice | Claude Debussy, Barbra Streisand, Claus Ogerman | D Minor | 1 | 7A | 81 BPM | ||
| Men and Events | Harry Rabinowitz | F Minor | 3 | 4A | 82 BPM | ||
| Girl Talk (Remastered) | Harry Rabinowitz, Harold Ernest Fisher, David Henry Richmond, Martin John Kershaw | D Major | 5 | 10B | 90 BPM | ||
| Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
| The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls | Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | D Major | 1 | 10B | 87 BPM | ||
| Wood, Henry : Fantasia on British Sea Songs : Sailor's Hornpipe [Excerpt] | Sir Henry Wood, BBC Symphony Orchestra, David Parry | A Major | 1 | 11B | 82 BPM | ||
| Introduction and Waltz (From "The Slipper And The Rose") | Angela Morely | B♭ Major | 2 | 6B | 83 BPM | ||
| Under the Stars: Under the Stars | Eric Coates, BBC Philharmonic, John Wilson | D Minor | 1 | 7A | 93 BPM | ||
| Theme from the Onedin Line | John Keating/London Symphony Orchestra | D♭ Major | 3 | 3B | 112 BPM | ||
| Carmen, Act III: Entr'acte (arr. D. Sosin): Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | ||
| Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 88 BPM | ||
| Chanson de matin, Op. 15, No. 2 | Edward Elgar, David Measham, West Australian Symphony Orchestra | G Major | 2 | 9B | 80 BPM | ||
| Sailing By (Radio 4 Theme) | Ronald Binge, Royal Philharmonic Orchestra, Carl Davis | D Major | 1 | 10B | 81 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
| Fauré: Pavane, Op. 50 | Gabriel Fauré, New Philharmonia Orchestra/Sir David Willcocks/Gareth Morris, Gareth Morris, Sir David Willcocks, New Philharmonia Orchestra | F♯ Minor | 0 | 11A | 130 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM |