Alberto Nepomuceno, Marcus Llerena's ' "Melodia" was released on its scheduled release date, March 26, 2015. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Melodia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Sentimental". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Brazil. In terms of popularity, Melodia is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Melodia by Alberto Nepomuceno, Marcus Llerena having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miniature for Piano No. 22 | Giya Kancheli, Duo Bergerac | C Major | 1 | 8B | 67 BPM | ||
| O Garatuja Prelude, SN 6.14 | Alberto Nepomuceno, Minas Gerais Philharmonic Orchestra, Fabio Mechetti | D Major | 2 | 10B | 125 BPM | ||
| La Catedral: I. Preludio saudade | Agustín Barrios Mangoré, Tal Hurwitz | B Minor | 1 | 10A | 180 BPM | ||
| Preludio: Pensando a Fauré | Maurizio Baudino | B Minor | 0 | 10A | 73 BPM | ||
| Suite Castellana, 1. Fandanguillo | Janko Raseta | E Minor | 2 | 9A | 141 BPM | ||
| III En el vacío intersideral (de Preludios cósmicos) | Antonio Chover Salom, Carlos Blanco Ruiz | F Major | 1 | 7B | 115 BPM | ||
| Surya | Amendra Mahato | A♭ Minor | 7 | 1A | 130 BPM | ||
| Mi Romanza | David Albornoz | E Minor | 1 | 9A | 141 BPM | ||
| Evocation | Jose Luis Merlin, Matt Bacon | E Minor | 2 | 9A | 76 BPM | ||
| Cropdale, Village at Peace (Octopath Traveler II) | John Oeth | A Major | 0 | 11B | 132 BPM | ||
| Suite Castellana: I. Fandanguillo | Federico Moreno Torroba, John Oeth | E Minor | 1 | 9A | 100 BPM | ||
| Prélude, BWV 846 | Marcus Llerena | D Major | 2 | 10B | 121 BPM | ||
| Summer | Guy Ben Zvi | B♭ Major | 0 | 6B | 67 BPM | ||
| Caminos De Tierra | Francisco Zavaleta | B♭ Major | 0 | 6B | 67 BPM | ||
| Ocean | Arash Ahmadi | E Minor | 0 | 9A | 82 BPM | ||
| Arroyos de la Alhambra, I. Evocación | José María Huertas | E Minor | 2 | 9A | 97 BPM | ||
| Escarramán, A Suite of Spanish Dances from the XVI Century (after Cervantes), Op. 177: I. Gallarda | Mario Castelnuovo-Tedesco, Davide Giovanni Tomasi | B♭ Major | 0 | 6B | 67 BPM | ||
| In the Dugout - V Zemlyanke | NADiA KOSSINSKAJA, Mark Bernes | A Minor | 1 | 8A | 117 BPM | ||
| Etude No. 3, Op. 60 (Arr. for Guitar Duo by Troy Gifford) | Matteo Carcassi, Sam Desmet, Troy Gifford | A Major | 2 | 11B | 138 BPM | ||
| Andante mosso in D Major, Op. 60: No. 12. Andante mosso | Peter LaVine | D Major | 2 | 10B | 106 BPM | ||
| Gymnopedie No. 3 (Guitar) | Siem Herstel | D Major | 0 | 10B | 121 BPM | ||
| Simple Truths | Christopher Sainsbury, Gerard Cousins | C Minor | 0 | 5A | 117 BPM | ||
| Love Theme (Cinema Paradiso) | Fernanda Valenzuela | G Major | 1 | 9B | 49 BPM | ||
| The Orchard | Andrew York | A Minor | 1 | 8A | 69 BPM | ||
| El Testament d'Amelia (arr. Miguel Llobet) | Anonymous, Michael Ibsen | D Minor | 0 | 7A | 99 BPM |