Apurva Krishna's ' "60. गुड़िया जो बातें करती थी" was released on its scheduled release date, July 8, 2025. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. There are a total of 100 in the song's album "Real Horror Story". In this album, this song's track order is #60. Furthermore, we believe that the track originated from India. In terms of popularity, 60. गुड़िया जो बातें करती थी is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With 60. गुड़िया जो बातें करती थी by Apurva Krishna having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4. रेलवे क्वार्टर का रहस्य | Apurva Krishna | E♭ Major | 3 | 5B | 113 BPM | ||
| Kahna Hoga Kuchh Kar Na Sake | Prem Bhushan Maharaj | B♭ Minor | 8 | 3A | 117 BPM | ||
| Dakshinesware Balo Ramkrishna Nam | Mahesh Ranjan Shome | F Minor | 6 | 4A | 140 BPM | ||
| Panch Parmeshthi Ki Aarti | Rajendra Jain, Kavita Paudwal | B♭ Major | 7 | 6B | 109 BPM | ||
| Du Lässt Ängste Oder Zweifel an Der Zukunft Los Und Weißt, Dass Du in Jedem Moment Unterstützt Wirst | Audimio | B♭ Major | 4 | 6B | 104 BPM | ||
| jay baldhari bahuchar maa | Hari cassettes | D♭ Major | 4 | 3B | 132 BPM | ||
| Mahant Swami Shriji Sange | BAPS Swaminarayan Sanstha | E♭ Major | 5 | 5B | 112 BPM | ||
| Darshanam Dev Devasya Stuti | Kishore Manraja | D Major | 1 | 10B | 133 BPM | ||
| Ratri Suktam | Aman Jhaveri | E♭ Major | 5 | 5B | 112 BPM | ||
| Hari Bhajan Bina Sukh Shanti Nahin | Sri Sathya Sai Bhajans | F Major | 4 | 7B | 176 BPM | ||
| Krishna Sumiran | Ananya Basu | E Major | 4 | 12B | 100 BPM | ||
| Thumak Thumak Manki Nache Re | Anoopam Mission, Sachin Limye | E♭ Major | 6 | 5B | 86 BPM | ||
| Al Baqara (36-51) | Quran auf deutsch | E Major | 4 | 12B | 92 BPM | ||
| Ebar Ujar Kore | Srikanta Acharya | B♭ Major | 2 | 6B | 96 BPM | ||
| Bajarangi Laye Khabariya Ram Aate Nagariya | Pujya Rajan Ji Official | E♭ Major | 6 | 5B | 128 BPM | ||
| Meri Mand Mand | Nikunj Kamra | D♭ Major | 8 | 3B | 123 BPM | ||
| 86. गुड़िया जो बातें करती थी | Apurva Krishna | B Major | 4 | 1B | 92 BPM | ||
| Blessings by HH | Sri Ganapathy Sachchidananda Swamiji | C Major | 1 | 8B | 173 BPM | ||
| Dynaneshwar Mauli (Gajar) | Shree Bramhanidevi Aarti Mandal | G Major | 7 | 9B | 81 BPM | ||
| Selected Poetry, Pt. 3 | Ahmed Faraz | A♭ Major | 5 | 4B | 71 BPM | ||
| Mangala Karini Jai Sai Ma | Sri Sathya Sai Bhajans | B♭ Major | 5 | 6B | 109 BPM | ||
| Prem Mudita Mana Se | Ramakrishna Math, Monks of the Ramakrishna Order | A♭ Major | 5 | 4B | 100 BPM | ||
| Tilawa surat al ghashiya | Noor al quran | E Minor | 0 | 9A | 98 BPM | ||
| Radha Radha Kirtan | Kunj Bihari Das | C Major | 6 | 8B | 160 BPM | ||
| Guru Pura Paiye Badbhagi | Hita Ambrish | F♯ Minor | 7 | 11A | 126 BPM |