"The Library" by Buck Sanders, Marco Beltrami had its release date on August 23, 2011. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 21 in Don't Be Afraid Of The Dark by Marco Beltrami, Buck Sanders. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, The Library's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Library by Buck Sanders, Marco Beltrami is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mission | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM | ||
| Blunt Instrument (From "Casino Royale" Soundtrack) | David Arnold | G Major | 1 | 9B | 98 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| Throw Hell At Him | Rupert Gregson-Williams | E Minor | 0 | 9A | 109 BPM | ||
| Sharks Don't Sleep | Dean Valentine | E Minor | 4 | 9A | 118 BPM | ||
| Slot Canyon | Trevor Gureckis | F♯ Major | 3 | 2B | 74 BPM | ||
| Outlands, Part II | Daft Punk | C Major | 3 | 8B | 113 BPM | ||
| Operation Postmaster | Chris Benstead | G Major | 4 | 9B | 102 BPM | ||
| World On The Move | Jasha Klebe, Thomas Farnon, Empara Mi | D♭ Major | 4 | 3B | 145 BPM | ||
| The Final Game | Carlos Rafael Rivera | A Minor | 2 | 8A | 120 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| The Scholar's Mate | Carlos Rafael Rivera | C Major | 3 | 8B | 136 BPM | ||
| Koba | Mark Isham | F♯ Minor | 2 | 11A | 79 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| San Bernardino | Carter Burwell | E♭ Minor | 2 | 2A | 97 BPM | ||
| Never Goodbye | Max Richter | A Minor | 0 | 8A | 63 BPM | ||
| The Faithful Departed (feat. G.E. Smith & Larry Saltzman) | Howard Shore, G.E. Smith, Larry Saltzman | A Minor | 2 | 8A | 94 BPM | ||
| Brick & Blood | The Newton Brothers | C Minor | 2 | 5A | 140 BPM | ||
| Should You Choose to Accept... | Lorne Balfe | A Major | 1 | 11B | 72 BPM | ||
| The Establishment | Martin Phipps | B♭ Minor | 2 | 3A | 139 BPM | ||
| Phoenix | Paul Haslinger | D♭ Minor | 0 | 12A | 80 BPM | ||
| Oppenheimer | Ludwig Göransson | D♭ Major | 2 | 3B | 121 BPM | ||
| Kevin & Casey | West Dylan Thordson | F Minor | 2 | 4A | 67 BPM | ||
| One out Away | Mychael Danna | D Minor | 3 | 7A | 95 BPM | ||
| Leaving for the Trial | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM |