Martin Simpson's 'Polly on the Shore' had a release date set for 2006. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "The Bramble Briar". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Polly on the Shore is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Polly on the Shore by Martin Simpson having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Post Office Prodigies | Ben Garnett, Chris Eldridge | E Major | 3 | 12B | 87 BPM | ||
| Past Caring | Jackie Oates | B Minor | 2 | 10A | 120 BPM | ||
| Mother Oak | Adam Holmes | C Major | 1 | 8B | 140 BPM | ||
| Fead an Iolar (The Eagle's Whistle) | Adam Agee, Jon Sousa | F Major | 2 | 7B | 138 BPM | ||
| Hushabye Birdie / Hexham Lasses | Kathryn Tickell, The Darkening | B♭ Major | 1 | 6B | 103 BPM | ||
| The Black Fox | Janice Burns & Jon Doran | D Major | 5 | 10B | 111 BPM | ||
| As I Was a Wand'ring | Emily Smith | B Major | 1 | 1B | 177 BPM | ||
| Old Heddon Of Fawsley | Barry Phillips, Martin Simpson, Theo Paige | G Major | 3 | 9B | 190 BPM | ||
| Jimmy Mo Mhile Stor | Kathleen MacInnes | G Major | 1 | 9B | 131 BPM | ||
| Jock Stewart | Ewan McLennan | C Major | 3 | 8B | 144 BPM | ||
| The Abbess | Andy Cutting | C Major | 2 | 8B | 117 BPM | ||
| Little Sparrow | Jenn Butterworth | F Major | 3 | 7B | 140 BPM | ||
| Highway to Warrington | Sam Sweeney | F♯ Minor | 2 | 11A | 112 BPM | ||
| Tide Full In | Niamh Parsons | F Major | 1 | 7B | 113 BPM | ||
| Spanish Boots of Spanish Leather | Ewan McLennan | D Minor | 2 | 7A | 79 BPM | ||
| Blood and Gold / Mohacs | Silly Sisters | B Minor | 6 | 10A | 62 BPM | ||
| Úirchill an Chreagáin | Dàibhidh Stiùbhard | F Major | 1 | 7B | 92 BPM | ||
| Curlew | Spell Songs, Rachel Newton | E Minor | 2 | 9A | 122 BPM | ||
| More Than Enough | Martin Simpson | D Major | 3 | 10B | 140 BPM | ||
| She Put on Her Headphones | Lau | A Minor | 4 | 8A | 75 BPM | ||
| Little Fishes/ The Rainy Day Fisherman | Jackie Oates | B♭ Major | 2 | 6B | 98 BPM | ||
| Four Loom Weaver | Janice Burns & Jon Doran | C Major | 2 | 8B | 100 BPM | ||
| False Bride | Olivia Chaney | D Major | 1 | 10B | 133 BPM | ||
| Forever And More | Josienne Clarke, Ben Walker | E Major | 2 | 12B | 161 BPM | ||
| The Times They Are A-Changin' | Martin Simpson | D Major | 4 | 10B | 79 BPM |