"Solo de concert" by Gabriel Pierné, Marc Trenel, Pascal Godart had its release date on June 1, 2008. This song is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 14 in the song's album "The Art of the Bassoon: Marc Trénel". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Solo de concert is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Solo de concert by Gabriel Pierné, Marc Trenel, Pascal Godart having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 7 Variations on Bei Männern, welche Liebe fühlen, WoO 46: Variation 6 | Ludwig van Beethoven, Simon Velthuis | G Major | 1 | 9B | 66 BPM | ||
| String Quartet in E Minor, Op. 44, No. 2: III. Andante | Felix Mendelssohn, Cecilia String Quartet | B Minor | 0 | 10A | 89 BPM | ||
| 3 Pieces, Op. 45: No. 1, Feuillet D'album | Alexander Scriabin, Juan Francisco Otón | G Minor | 0 | 6A | 59 BPM | ||
| Violin Sonata in D Minor, Op. 36: III. Andante non troppo - Allegretto un poco agitato | Gabriel Pierné, Maria Milstein, Nathalia Milstein | D Major | 2 | 10B | 75 BPM | ||
| Pierné: Paysages franciscains, Op. 43: II. Les olivaies de la plaine d'Assise. Crépuscule d'automne | Gabriel Pierné, Pierre Dervaux, Orchestre Philharmonique des Pays de Loire | E♭ Minor | 0 | 2A | 78 BPM | ||
| Piano Trio in D Minor, Op. 11: III. Lied | Fanny Mendelssohn, Trio Zadig | D Major | 1 | 10B | 101 BPM | ||
| Harpsichord Sonata No. 48: Allegro (arr. for Harp) | Antonio Soler, Godelieve Schrama | C Minor | 1 | 5A | 106 BPM | ||
| Franck / Transc. Bauer: Prélude, Fugue et Variation Op. 18, CFF 30B (transcr. H. Bauer) – II. Lento + III. Fugue (Allegretto ma non troppo) | César Franck, Mariam Batsashvili | B♭ Minor | 1 | 3A | 100 BPM | ||
| The Hebrides, Op. 26: Allegro moderato | Felix Mendelssohn, Leipziger Streichquartett | B Minor | 1 | 10A | 114 BPM | ||
| 3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
| Serenade, Op. 7 | Gabriel Pierné, Joanna Sochacka | A♭ Major | 1 | 4B | 91 BPM | ||
| Improvisation No. 3 | Gabriela Montero | D Major | 2 | 10B | 113 BPM | ||
| Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
| Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | E Minor | 0 | 9A | 72 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam | Robert Schumann, Gabriel Schwabe, Nicholas Rimmer | F Major | 0 | 7B | 173 BPM | ||
| Producto de sus elecciones | Padre GainsCone | C Minor | 2 | 5A | 100 BPM | ||
| Nocturne No. 5 in B-Flat Major, Op. 37 - Excerpt | Gabriel Fauré, Kathryn Stott | G Major | 1 | 9B | 71 BPM | ||
| Prélude, Fugue et Variation, Op. 18: III. Allegretto ma non troppo (Arr. pour piano) | César Franck, Nikolai Lugansky | D Major | 0 | 10B | 81 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Romance in G Minor | Sergei Rachmaninoff, Quatuor Alfama | B♭ Major | 0 | 6B | 90 BPM | ||
| 3 Romances sans paroles, Op. 17, No. 3 | Gabriel Fauré, Thérèse Ryan, Francine Chabot | A Major | 0 | 11B | 85 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| Lyrical Pieces, Op. 12: No. 2, Waltz | Edvard Grieg, Denis Kozhukhin | A Minor | 0 | 8A | 177 BPM | ||
| Treasury of Melodies, JB 1:49: I. Preludium. Lento | Bedřich Smetana, Jitka Čechová | D Major | 0 | 10B | 119 BPM | ||
| Suite No. 1, "Orientale": I. Okenstamning: Adagio | Kurt Atterberg, Ferenc Balogh, Gyorgy Kertesz, Andras Kiss, Ilona Prunyi | B Minor | 1 | 10A | 61 BPM |