Calefax Reed Quintet's 'Aus Holbergs Zeit: 3. Gavotte' had a release date set for October 25, 2015. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Romantic Kaleidoscope". In this album, this song's track order is #15. Aus Holbergs Zeit: 3. Gavotte is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aus Holbergs Zeit: 3. Gavotte by Calefax Reed Quintet having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade No. 12 in C Minor, K. 388: III. Menuetto in canone | Wolfgang Amadeus Mozart, Oslo Philharmonic Wind Soloists | C Minor | 1 | 5A | 77 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Seven Magnificat Antiphons: I. O Weisheit (arr. Counter Tenor & Reed Quintet by Raaf Hekkema) | Arvo Pärt, Kai Wessel, Calefax Reed Quintet | D Minor | 0 | 7A | 72 BPM | ||
| Waldszenen: 7. Vogel als prophet | Calefax Reed Quintet | E♭ Minor | 0 | 2A | 68 BPM | ||
| Flute Concerto Pour Potsdam in D Major, QV 5:41(Reinvented for Solo Flute by Luca Astolfoni Fossi): III. Presto | Johann Joachim Quantz, Claudio Ferrarini | B♭ Major | 0 | 6B | 77 BPM | ||
| I Capuleti e i Montecchi, Act 1 Scene 4: Oh! quante volte (Arr. for Solo Trumpet by William Foster) | Vincenzo Bellini, Matilda Lloyd, Britten Sinfonia, Rumon Gamba | G Major | 0 | 9B | 90 BPM | ||
| Haydn: Piano Concerto in G Major, Hob XVIII:4: II. Adagio | Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra | A Minor | 0 | 8A | 137 BPM | ||
| La Novellina | Gioseffo Guami, Liuwe Tamminga, Maria Christina Cleary, Claudia Pasetto, Leonardo Bortolotto, Alberto Rasi, Bruce Dickey | F♯ Major | 2 | 2B | 74 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | B♭ Major | 0 | 6B | 77 BPM | ||
| Mandolin Concerto in G Major, S. 28: II. Andante con variazioni. | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens | F Major | 1 | 7B | 127 BPM | ||
| Surabaya Johnny | Kurt Weill, Cora Burggraaf, Calefax Reed Quintet | F Minor | 1 | 4A | 179 BPM | ||
| Trumpet Sonata: II. Adagio molto cantabile | Karl Pilss, Carole Dawn Reinhart, Jean-Claude Vanden Eynden | B♭ Major | 0 | 6B | 77 BPM | ||
| Oboe Concerto No. 1 in D Minor: I. Allegro | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | D Minor | 1 | 7A | 134 BPM | ||
| Sonate, Op. 168: III. Adagio Allegro moderato | Camille Saint-Saëns, Michel Bettez, Pierre-Richard Aubin | G Minor | 0 | 6A | 68 BPM | ||
| Grand Duo Concertant in A Major, Op. 85: I. Allegro Maestoso | Mauro Giuliani, Rainer Kussmaul, Sonja Prunnbauer | D Minor | 1 | 7A | 112 BPM | ||
| Mavra, K39: Chanson russe (Arr. Knigge for Recorder & Ensemble) | Lucie Horsch, LUDWIG Orchestra, Igor Stravinsky | A Minor | 4 | 8A | 121 BPM | ||
| Clarinet Concerto No. 2 in E flat major Op.74: II: Romanza: Andante | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | G Minor | 0 | 6A | 78 BPM | ||
| Far East Suite - V. Agra | Tony Overwater Trio, Calefax Reed Quintet | G Major | 9 | 9B | 84 BPM | ||
| Satin Doll | Duke Ellington, Billy Strayhorn, Calefax Reed Quintet | F Major | 2 | 7B | 136 BPM | ||
| Konzert Es-dur Für Oboe, Streicher Und Continuo, BWV 1053: Sinfonia Weinen, Klagen, Sorgen, Zagen (BWV 12) | Thomas Indermühle | F Minor | 1 | 4A | 48 BPM | ||
| Le tombeau de Couperin: Fugue. Allegro moderato | Maurice Ravel, Calefax Reed Quintet | E Minor | 0 | 9A | 70 BPM | ||
| Concertino für Tuba und Klavier: II. Langsam | Joseph Bartz, Hans Tönnies | D♭ Major | 0 | 3B | 115 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | B♭ Major | 0 | 6B | 77 BPM | ||
| Motetti e sonate concertati, Op. 6: Sonata prima à 2 | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Excursions Op. 20: IV. Exuberant and joyous barn dance | Samuel Barber, Calefax Reed Quintet | F Major | 2 | 7B | 136 BPM |