On June 29, 1998, the song "Birh Ke Agiya Lagela" was released by Madan Rai. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Sab Din Hot Na Ek Samaan (Nirgun)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Birh Ke Agiya Lagela is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Birh Ke Agiya Lagela by Madan Rai having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Choli Mein Tahra Rang Dalem | Guddu Rangila | D♭ Minor | 6 | 12A | 100 BPM | ||
| Ka Bhaile Matiya Mein | Devi | A♭ Minor | 6 | 1A | 142 BPM | ||
| Kisi Najar Ko Tera | Dimple Bhumi | A Major | 5 | 11B | 93 BPM | ||
| Aail Navraatar Dekha | Devendra Pathak, Madan Rai, Satendra Pathak, Shashi Pathak, Neetu Singh | D♭ Minor | 10 | 12A | 75 BPM | ||
| Bolo Om Sai Sai | Rakesh Singh | C Major | 7 | 8B | 200 BPM | ||
| Bhitar No Bheru Maro Aatmo Khovano | Mathurbhai Kanjariya | B Minor | 5 | 10A | 94 BPM | ||
| Ekde Ek | Master Rana | F Minor | 6 | 4A | 92 BPM | ||
| Kiriya Dharai Jani | Golu Raja | D♭ Minor | 6 | 12A | 97 BPM | ||
| Prbhu Durdin Se Pahile Aaja | MANOJ TIWARI | C Major | 5 | 8B | 97 BPM | ||
| Dash Divash Ni Maya Lagadi | Gagan Jethva | F Minor | 2 | 4A | 126 BPM | ||
| Kaniya Samhair Chalu Saadi | Rambabu Jha | D♭ Major | 10 | 3B | 150 BPM | ||
| Sakhi Hey Rase Rase Pahun Chalai Chhi | Kunj Bihari Mishr | B♭ Minor | 6 | 3A | 139 BPM | ||
| A Ho Jagdambay Maa | Poonam Mishra | D♭ Major | 5 | 3B | 104 BPM | ||
| Jaise Sohagin Haathe | Vishnu Ojha | A♭ Major | 8 | 4B | 172 BPM | ||
| Bhitra Lagela Pala Re | Guddu Rangila | A Major | 7 | 11B | 86 BPM | ||
| Doli Leke Aaiyle Sajanwa | Bharat Sharma | F Minor | 8 | 4A | 149 BPM | ||
| Humra Ke Le Le Ayiha Angoothi Nishani | MANOJ TIWARI | F♯ Major | 5 | 2B | 111 BPM | ||
| Apne To Boss Hai Baba Mahakal | Shahnaaz Akhtar | D♭ Major | 10 | 3B | 90 BPM | ||
| Jeevdaani Belha Maai | Devendra Pathak, Madan Rai, Satendra Pathak, Shashi Pathak, Neetu Singh | E Major | 8 | 12B | 90 BPM | ||
| Bhatro Maja Nai Detau | Chandan Deewana | E Minor | 9 | 9A | 101 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM | ||
| Chaan Maare Kirniya Ke Baan | Madan Rai | A♭ Minor | 6 | 1A | 92 BPM | ||
| Mat Der Kara | Raja Hasan | B Minor | 8 | 10A | 146 BPM | ||
| Andhakar man ka mite | Brahma Kumaris | E Major | 5 | 12B | 142 BPM | ||
| Kajri Biraha | Kalpana Patowary | E Major | 5 | 12B | 72 BPM |