益田幹夫's ' "ホワッツ・ハプニング" was released on its scheduled release date, August 25, 1976. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in ミッキーズ・マウス, so we believe that "ホワッツ・ハプニング" is a single. In terms of popularity, ホワッツ・ハプニング is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of ホワッツ・ハプニング by 益田幹夫 is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| PROLOGUE -CRYSTAL LOVE- | Yuji Ohno | A Minor | 6 | 8A | 96 BPM | ||
| Take It To The Sky (自由への旅立ち) | Yuji Ohno | A Minor | 7 | 8A | 102 BPM | ||
| Mbewe | James Mason | D Major | 6 | 10B | 145 BPM | ||
| BLUE MARINE | Masaru Imada | F Minor | 6 | 4A | 146 BPM | ||
| LEFT-HANDED WOMAN | Kenji Omura | D Major | 9 | 10B | 126 BPM | ||
| 朝の都会には乾いた花がよく似合う | 岡沢 章, 稲垣次郎とソウル・メディア | D Major | 5 | 10B | 96 BPM | ||
| 哀愁のカーニヴァル | Masaru Imada | A♭ Major | 7 | 4B | 129 BPM | ||
| Cloudy | 上田力とパワー・ステーション | C Major | 5 | 8B | 113 BPM | ||
| Same Old Story | Ronnie Laws | B Major | 8 | 1B | 133 BPM | ||
| Tony | Tony Williams | F Major | 6 | 7B | 121 BPM | ||
| ADRIA - LIVE, 1995 Remaster | Naoya Matsuoka, Wesing | G Minor | 2 | 6A | 139 BPM | ||
| デュオ・クリエイティクス | Sadao Watanabe | D Minor | 7 | 7A | 110 BPM | ||
| Charlie | Tarika Blue | B Minor | 6 | 10A | 129 BPM | ||
| LUCKY SUMMER LADY | T-SQUARE | F Major | 8 | 7B | 128 BPM | ||
| ON THE STREET | Noriki | D Major | 6 | 10B | 136 BPM | ||
| バーニング・ウェイヴ | Toshiyuki Honda | B♭ Major | 4 | 6B | 156 BPM | ||
| Gloomy Day | Gábor Szabó | F Major | 4 | 7B | 155 BPM | ||
| ゴーイン・フォー・ザ・ゴールド | Terumasa Hino | F Minor | 5 | 4A | 120 BPM | ||
| Five/Four | Gene Harris | F♯ Minor | 5 | 11A | 150 BPM | ||
| Time's Lie | Flora Purim | D♭ Major | 6 | 3B | 88 BPM | ||
| DANCE OF PARANOIA Op.2 | Jun Fukamachi | E Minor | 9 | 9A | 133 BPM | ||
| Onward 'Til Morning | Donald Byrd | D Major | 9 | 10B | 110 BPM | ||
| 成人式 | 宮間利之とニュー・ハード | A Minor | 6 | 8A | 179 BPM | ||
| In the Park | Lonnie Liston Smith | F♯ Major | 10 | 2B | 119 BPM | ||
| BOSTON FLIGHT | Kenji Omura | G Major | 6 | 9B | 98 BPM |