On 1994, the song "STAY 〜ボトルネックが泣いている〜 (2002 Digital Remaster)" was released by George Yanagi. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 14 in ATLANTIC'S BEST (2002 Digital Remaster) by George Yanagi. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, STAY 〜ボトルネックが泣いている〜 (2002 Digital Remaster) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of STAY 〜ボトルネックが泣いている〜 (2002 Digital Remaster) by George Yanagi is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 素敵にシンデレラ・コンプレックス | Hiromi Go | G Minor | 6 | 6A | 144 BPM | ||
| 哀しい人 | Masatoshi Nakamura | A♭ Major | 10 | 4B | 133 BPM | ||
| 散歩道(1983) | Shogo Hamada | F♯ Minor | 9 | 11A | 131 BPM | ||
| 4.13 | Johnny Okura | E Minor | 8 | 9A | 127 BPM | ||
| JUST BECAUSE | THE JAYWALK | D Major | 4 | 10B | 142 BPM | ||
| ガキの頃のように | Takao Horiuchi | D Major | 5 | 10B | 144 BPM | ||
| 心の旅 | Kazuo Zaitsu | F Major | 5 | 7B | 168 BPM | ||
| ミス・ロンリー・ハート | Shogo Hamada | G Major | 3 | 9B | 135 BPM | ||
| 憧れのラジオ・ガール | Yoshitaka Minami | C Major | 7 | 8B | 131 BPM | ||
| 伝達 | Eigo Kawashima | F Major | 2 | 7B | 70 BPM | ||
| 時は流れて | George Yanagi | G Major | 3 | 9B | 136 BPM | ||
| コイン・ランドリィ・ブルース | George Yanagi | G Major | 4 | 9B | 70 BPM | ||
| 夢一夜 | Kosetsu Minami | G Minor | 4 | 6A | 154 BPM | ||
| Bye Bye | Kaze | C Minor | 6 | 5A | 101 BPM | ||
| 春雷 | ふきのとう | A Minor | 5 | 8A | 131 BPM | ||
| FENCEの向うのアメリカ | George Yanagi And Rainywood | F Major | 5 | 7B | 123 BPM | ||
| TAKAKO | Masaki Ueda | C Minor | 10 | 5A | 172 BPM | ||
| 今は、このまま | Billy Ban Ban | F♯ Major | 3 | 2B | 108 BPM | ||
| OUR SONG | Shinji Harada | C Major | 2 | 8B | 70 BPM | ||
| Ya Ya(あの時代を忘れない) | サザンオールスターズ | G Major | 5 | 9B | 102 BPM | ||
| 真夜中のテレフォン・コール | George Yanagi | D Major | 7 | 10B | 129 BPM | ||
| デラシネ | 佐藤 隆 | F♯ Major | 10 | 2B | 143 BPM | ||
| そして僕は途方に暮れる | Toko Furuuchi, Yoshiyuki Osawa | D♭ Major | 5 | 3B | 124 BPM | ||
| I'll Be Good To You | Yuko Hara | A Major | 6 | 11B | 140 BPM | ||
| ホテル・デ・バン | George Yanagi | E Minor | 2 | 9A | 76 BPM |