"Carmina Burana: VII. Floret silva" by Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra had its release date on January 1, 2005. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Carmina Burana: VII. Floret silva is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: VII. Floret silva by Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stabat Mater, Op. 58: X. Quando corpus morietur (Andante con moto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | C Minor | 1 | 5A | 76 BPM | ||
| Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
| Mother Goose: III. Pavane de la belle au bois dormant | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | E Minor | 0 | 9A | 89 BPM | ||
| Messa di Gloria, Op.posth., Gloria: Gloria in excelsis Deo - Dominus Deus, rex coelestis | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Major | 1 | 8B | 135 BPM | ||
| Symphony No.2 in C minor - "Resurrection" / 5th Movement: Im Tempo des Scherzos. Wild herausfahrend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Major | 1 | 8B | 97 BPM | ||
| Bizet: Carmen, WD 31, Act 4: "Tu m'aimes donc plus ?" (Don José, Carmen, Chœur) | Georges Bizet, Michel Plasson, Angela Gheorghiu, Les Éléments, Roberto Alagna, Orchestre National Du Capitole De Toulouse | F♯ Major | 3 | 2B | 86 BPM | ||
| Symphony No. 1 in B-Flat Minor: II. Scherzo. Presto, con malizia | William Walton, London Symphony Orchestra, Sir Colin Davis | F Major | 2 | 7B | 153 BPM | ||
| Symphony No. 5 in D Minor, Op. 107, MWV N15 "Reformation": IV. Andante con moto (Chorale "Ein feste Burg") | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | D Major | 2 | 10B | 76 BPM | ||
| Bizet: Carmen, WD 31, Act 1: "Carmen ! sur tes pas nous nous pressons tous !" (Chœur) | Georges Bizet, Michel Plasson, Les Éléments, Orchestre National Du Capitole De Toulouse | A Minor | 0 | 8A | 125 BPM | ||
| Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 114 BPM | ||
| Verdi: Il trovatore, Act 1: "Il Trovator! Io fremo! ... Deserto sulla terra" (Il Conte, Manrico) | Giuseppe Verdi, Antonio Pappano, Roberto Alagna, Thomas Hampson, London Symphony Orchestra | B♭ Minor | 0 | 3A | 73 BPM | ||
| The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
| Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: The Fight | Sergei Prokofiev, André Previn, London Symphony Orchestra | E Minor | 4 | 9A | 77 BPM | ||
| Carmina Burana: XVI. Dies, nox et omnia | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 93 BPM | ||
| Ein deutsches Requiem, Op. 45: V. "Ihr habt nun Traurigkeit" | Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, André Previn, David Wilson-Johnson, Harolyn Blackwell | A♭ Major | 1 | 4B | 140 BPM | ||
| Carmina Burana: XVII. Stetit puella | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 80 BPM | ||
| Symphony No. 8, Zweiter Teil: XIII. Neige, neige, du Ohnegleiche | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, MDR Leipzig Radio Chorus, Susan Bullock, Knaben des Staats- und Domchors Berlin, Anna Prohaska | B♭ Major | 1 | 6B | 79 BPM | ||
| The Firebird, K10, 1919 Suite: I. Introduction | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | G Minor | 0 | 6A | 85 BPM | ||
| Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | C Minor | 1 | 5A | 94 BPM | ||
| Requiem in D Minor, K. 626: No 5, Sequence - Recordare | Wolfgang Amadeus Mozart, Sir Colin Davis, Anna Stephany, Andrew Kennedy, Darren Jeffery, Marie Arnet, London Symphony Orchestra | F Major | 1 | 7B | 175 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
| Verdi: Messa da Requiem: XX. Requiem æternam | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Eric Ericson Chamber Choir, Orfeon Donostiarra, Swedish Radio Choir, Berliner Philharmoniker | F♯ Major | 1 | 2B | 81 BPM | ||
| The Peacemakers: XIII. The Peace Prayer Of St Francis Of Assisi | Karl Jenkins, London Symphony Orchestra, CBSO Youth Chorus, Simon Halsey, Rundfunkchor Berlin | D Minor | 2 | 7A | 87 BPM | ||
| Messa di Gloria, Op.posth., Credo: Crucifuxus etiam pro nobis | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 0 | 5A | 134 BPM |