Orquesta Típica Francisco Canaro, Guillermo Rico's ' "Como una herida" was released on its scheduled release date, March 14, 2016. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Como una herida's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Tristeza criolla". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Como una herida's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Como una herida by Orquesta Típica Francisco Canaro, Guillermo Rico having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El huracán - Estilo Juan D´Arienzo | SEXTETO VISCERAL | G Major | 4 | 9B | 134 BPM | ||
| Loca | Sexteto Fantasma | E Minor | 3 | 9A | 133 BPM | ||
| Mi dolor | Hyperion Ensemble, Ruben Peloni | D Minor | 4 | 7A | 138 BPM | ||
| Derecho Viejo | Los Reyes Del Tango | F Minor | 5 | 4A | 140 BPM | ||
| El Ultimo Cafe | Orquesta De Juan Darienzo, Jorge Valdez | G Major | 4 | 9B | 122 BPM | ||
| El internado | Orquesta Juan D' Arienzo | D Major | 5 | 10B | 130 BPM | ||
| En un barco velero | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| El Yaguaron | Rodolfo Biagi Y Su Orquesta Tipica | G Major | 2 | 9B | 132 BPM | ||
| Nada Más | La Auténtica Milonguera | C Minor | 6 | 5A | 147 BPM | ||
| A La Gran Muñeca | Florindo Sassone Y Su Gran Orq. Tipica | A Minor | 3 | 8A | 59 BPM | ||
| Infamia | Héctor Mauré con Juan D'Arienzo | A Minor | 2 | 8A | 135 BPM | ||
| Aunque No Lo Crean | Orquesta Francisco Canaro | D Major | 2 | 10B | 115 BPM | ||
| Milonga del tiempo heroico | Quinteto Pirincho | D Major | 4 | 10B | 114 BPM | ||
| A Media Luz | Orquesta Típica Francisco Canaro | D♭ Major | 3 | 3B | 214 BPM | ||
| Telon | Osvaldo Fresedo y su Orquesta Típica | A Minor | 3 | 8A | 131 BPM | ||
| Fuimos | Aníbal Troilo, Alberto Marino | E♭ Major | 3 | 5B | 124 BPM | ||
| La Madrugada | La Auténtica Milonguera | A Minor | 3 | 8A | 121 BPM | ||
| Olivero (Arr. Pugliese) | José Martínez, Cuarteto Soltango | E Major | 3 | 12B | 117 BPM | ||
| Dos Fracasos | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| Dos Corazones | Lucio Demare, Horacio Quintana | F♯ Minor | 2 | 11A | 121 BPM | ||
| Ríe Payaso | Orquesta Silbando | C Major | 5 | 8B | 143 BPM | ||
| Remembranza | La Juan D'Arienzo | C Major | 4 | 8B | 135 BPM | ||
| Entrador | Alfredo Gobbi | D♭ Major | 2 | 3B | 108 BPM | ||
| No hay tierra como la mia | Julio De Caro, Héctor Farrel | A Major | 3 | 11B | 102 BPM | ||
| Campo afuera | Orquesta tipica Rodolfo Biagi (Singer:Teofilo Ibanez) | G Minor | 3 | 6A | 106 BPM |