Aaron Copland, London Symphony Orchestra's 'Appalachian Spring: Doppio movimento' had a release date set for 1963. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 25 in Copland Conducts Copland - Expanded Edition (Fanfare for the Common Man, Appalachian Spring, Old American Songs (Complete), Rodeo: Four Dance Episodes) by Aaron Copland. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Appalachian Spring: Doppio movimento is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring: Doppio movimento by Aaron Copland, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enigma Variations: Variation V. R.P.A - Moderato | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | C Minor | 0 | 5A | 76 BPM | ||
| Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
| Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | ||
| English Dances, Set 2, Op. 33: No. 3. Grazioso | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | A Minor | 0 | 8A | 118 BPM | ||
| Wood Notes: I. Singing River: Moderately slow | William Grant Still, Fort Smith Symphony, John Jeter | F Minor | 0 | 4A | 112 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, André Previn, London Symphony Orchestra | F Major | 2 | 7B | 67 BPM | ||
| Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo | Felix Mendelssohn, London Symphony Orchestra, Alexander Knox, John Eliot Gardiner | G Minor | 1 | 6A | 134 BPM | ||
| Lincolnshire Posy: IV. The Brisk Young Sailor | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| The Lark Ascending | Ralph Vaughan Williams, Hilary Hahn, London Symphony Orchestra, Sir Colin Davis | E Minor | 1 | 9A | 93 BPM | ||
| Symphony No. 1 in E Minor: II. Largo, maestoso | Florence Beatrice Price, Fort Smith Symphony, John Jeter | C Minor | 1 | 5A | 132 BPM | ||
| Molly on the Shore | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| A Village Romeo and Juliet: The Walk to the Paradise Garden | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 70 BPM | ||
| Firebird Suite - 1919 Version | Chicago Symphony Orchestra | B Major | 1 | 1B | 80 BPM | ||
| Firebird Suite (1919): V. Final Hymne | Igor Stravinsky, Kent Nagano, London Symphony Orchestra | A♭ Minor | 2 | 1A | 128 BPM | ||
| An English Suite: V. Pastoral | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | C Major | 0 | 8B | 78 BPM | ||
| The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | F Major | 1 | 7B | 109 BPM | ||
| Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto | Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek | E Minor | 1 | 9A | 76 BPM | ||
| Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
| 1B | Yo-Yo Ma, Edgar Meyer, Mark O'Connor | A Major | 3 | 11B | 107 BPM | ||
| Spanish Capriccio in A Major, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | D Major | 3 | 10B | 96 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Charlie Siem, Andrew Gourlay, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM | ||
| Symphony No. 7 in A Major, Op. 92: IV. Finale. Allegro con brio | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | A Major | 4 | 11B | 72 BPM | ||
| La Mer, L. 109: I. De l'aube à midi sur la mer | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Major | 0 | 2B | 90 BPM |