Beyond the Notes's 'Improvisation Twenty and Seven' had a release date set for May 26, 2021. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Peaceful Piano Improvisations Volume 2". In this album, this song's track order is #2. Improvisation Twenty and Seven is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Improvisation Twenty and Seven by Beyond the Notes having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Every Hour | Beyond the Notes | F Major | 0 | 7B | 70 BPM | ||
| Love Left Scars | Paul Vale | F Major | 0 | 7B | 70 BPM | ||
| So Many Things to See | Amanda Dangerfield | F Major | 1 | 7B | 114 BPM | ||
| Give Me Love | RUMA BROOKS | A Major | 2 | 11B | 100 BPM | ||
| Silent Room | Arvid Loman | F Major | 0 | 7B | 70 BPM | ||
| Kalopsia | Jack Lluma | B♭ Major | 2 | 6B | 176 BPM | ||
| Knowing Myself | Marlotto | F Major | 0 | 7B | 70 BPM | ||
| Zero Point Enery | Thom Dhill | G Major | 1 | 9B | 116 BPM | ||
| Higher Ground (I'm Pressing on the Upward Way) [Piano Hymn Worship Instrumental Music] | Pianosify | G Major | 1 | 9B | 82 BPM | ||
| Goodbye Again | Pam Asberry | E♭ Major | 1 | 5B | 70 BPM | ||
| Normalità a Tratti | Barbara Sottile | C Major | 0 | 8B | 78 BPM | ||
| Take It Or Leave It | CallMeLegend | G Major | 1 | 9B | 117 BPM | ||
| Little Memories | Matteo Corlin | F Major | 0 | 7B | 70 BPM | ||
| Tin Daffodils | Richard Laurence | E Major | 1 | 12B | 80 BPM | ||
| Mother | Francesco Parrino | D Major | 3 | 10B | 130 BPM | ||
| The Songbird | Dontea | A Major | 4 | 11B | 123 BPM | ||
| Smoothness | Ara_piano | G Major | 0 | 9B | 102 BPM | ||
| 川の流れ | Yoko Nanno | F♯ Major | 0 | 2B | 176 BPM | ||
| The Secret of Mystery Room | Dhalty | F Major | 2 | 7B | 182 BPM | ||
| Just Like the Movies | REIMAX | F Major | 0 | 7B | 70 BPM | ||
| 내 영혼이 은총입어 Since Christ My Soul from Sin Set Free | 노안나 Anna Noh, 조영훈 Cho Young Hoon | E♭ Major | 2 | 5B | 182 BPM | ||
| Washed Away | Sarah Dukes | C Major | 1 | 8B | 122 BPM | ||
| The Hesitant Road | Chester Tan | G Minor | 1 | 6A | 74 BPM | ||
| I Still Remember | Tony Chen | G Major | 0 | 9B | 89 BPM | ||
| The Part of Being | Thom Dhill | G Major | 1 | 9B | 67 BPM |