"Farewell / The Tower (From "Vertigo”, 1958 Film Score)" by Muir Mathieson, London Symphony Orchestra had its release date on January 18, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vertigo (1958 Film Score) by Muir Mathieson, Wiener Symphoniker, London Symphony Orchestra. The song's track number on the album is #5 out of 8 tracks. Based on our statistics, Farewell / The Tower (From "Vertigo”, 1958 Film Score)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Farewell / The Tower (From "Vertigo”, 1958 Film Score) by Muir Mathieson, London Symphony Orchestra has a tempo of 128 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Farewell / The Tower (From "Vertigo”, 1958 Film Score) being at 128 BPM, the half-time would be 64 BPM with a double-time of 256 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bees | Jerskin Fendrix | B Major | 1 | 1B | 69 BPM | ||
| Una Barca - Fin | Jeff Russo | G Minor | 0 | 6A | 173 BPM | ||
| Gatti rossi - Titoli | Bruno Nicolai | A♭ Major | 4 | 4B | 127 BPM | ||
| Resoluciones | Almas Paralelas | E♭ Minor | 2 | 2A | 98 BPM | ||
| Theme From The Conversation - Ensemble | David Shire | C Minor | 1 | 5A | 103 BPM | ||
| Still Can't Return (Still Trying) | Jon Brion | A Major | 0 | 11B | 109 BPM | ||
| Medley: At La Belle Aurore | The Warner Bros. Studio Orchestra | G Minor | 3 | 6A | 81 BPM | ||
| The Map Room: Dawn | John Williams, London Symphony Orchestra | A♭ Major | 2 | 4B | 66 BPM | ||
| Sinfonietta for Orchestra: Ib. Grave, Pt. 2 (Live) | Maya Badian, Brasov Philharmonic Orchestra, Ilarion Ionescu-Galati | D♭ Minor | 4 | 12A | 79 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| Suite 2 - From Roman Holiday (1953) | Georges Auric | C Major | 4 | 8B | 169 BPM | ||
| Dawn - Billy Sees Kes In The Tower | John Cameron | C Major | 2 | 8B | 91 BPM | ||
| Song from "The Wild Bunch" | Jerry Fielding | D Major | 2 | 10B | 90 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 2 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | D♭ Major | 3 | 3B | 116 BPM | ||
| Alleline and Bland on the Roof | Alberto Iglesias | B Major | 1 | 1B | 142 BPM | ||
| The Bay | Bernard Herrmann | D Minor | 1 | 7A | 75 BPM | ||
| Two Search for Samurai | Fumio Hayasaka | A Minor | 1 | 8A | 83 BPM | ||
| Can't Lose Won't Lose | Fiona Ubong | B♭ Minor | 1 | 3A | 66 BPM | ||
| The Conversation (Main Theme from "The Conversation") | David Shire | D Minor | 1 | 7A | 73 BPM | ||
| Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
| Dancing With Scarecrows | Tyler Bates, Timothy Williams | F Major | 5 | 7B | 102 BPM | ||
| Tinker Tailor Soldier Spy | Alberto Iglesias | C Major | 2 | 8B | 140 BPM | ||
| Alleyway | Punch-Drunk Love | C Major | 2 | 8B | 90 BPM | ||
| 4-50 from Paddington - Railways | Dominik Scherrer | F♯ Minor | 4 | 11A | 140 BPM | ||
| Planet 4/Main Theme | Jed Kurzel | B♭ Minor | 2 | 3A | 56 BPM |