"Dolce Memoria" by Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido had its release date on January 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Pandolfo, P.: Viola Da Gamba Music (Improvisando)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Spain. Dolce Memoria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dolce Memoria by Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata XII in F Major, Op. 1 No. 12, B.F4: I. Adagio: Lascia ch’io dica addio | Giuseppe Tartini, Enrico Gatti, Gaetano Nasillo, Guido Morini | E Minor | 1 | 9A | 97 BPM | ||
| Sonata X in G Minor «Didone abbandonata», Op. 1 No. 10, B.g10: I. Affettuoso | Giuseppe Tartini, Enrico Gatti, Gaetano Nasillo, Guido Morini | G Minor | 0 | 6A | 90 BPM | ||
| Dowland's Lamentation: Semper Dowland / Semper Dole - NS | Hopkinson Smith, John Dowland | D Minor | 1 | 7A | 117 BPM | ||
| Violin Sonata No. 5 in E Minor, C. 142: II. Variatio - Allegro | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | E♭ Minor | 0 | 2A | 115 BPM | ||
| Concerto Pastorale | Guido Morini, Accordone | F♯ Minor | 3 | 11A | 111 BPM | ||
| Dowland: Lachrimae, or Seven Tears: No. 10, Semper Dowland, semper dolens, P. 9 | John Dowland, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 130 BPM | ||
| Pasacalles de cuarto tono, WSC 102 - Version for Consort of 4 Viols and Harp | Juan Cabanilles, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger, Giovanna Pessi | A♭ Minor | 1 | 1A | 91 BPM | ||
| Suite in E minor: VII. La Montsermeil - Rondeau | Robert de Visée, Yasunori Imamura | D Minor | 1 | 7A | 49 BPM | ||
| A Solo (Tombeau) | Paolo Pandolfo | F♯ Minor | 0 | 11A | 78 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Suite in G Major: VI. Giga Al Genio Turchesco | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | D♭ Major | 3 | 3B | 58 BPM | ||
| Sopra l'anticho canto de La Spagna | Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Marie Gelis, Alvaro Garrido | A Minor | 1 | 8A | 86 BPM | ||
| Sonate in A Minor: I. Grave | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Symphonia armonie celestium revelationum (Excerpts), 8 Antiphons in matutinis laudibus: No. 5, Aer enim volat | Hildegard von Bingen, Sabine Lutzenberger, Baptiste Romain | D Major | 0 | 10B | 77 BPM | ||
| Concerto XI à 5 en Ut Mineur, Op. 1: I. Largo | Pietro Locatelli, Freiburger Barockorchester, Gottfried Von Der Goltz | B Minor | 1 | 10A | 134 BPM | ||
| Sarabande Jeunes Zephirs | Jacques Champion de Chambonnières, Philippe Pierlot, Lucile Boulanger, Myriam Rignol | F Major | 0 | 7B | 113 BPM | ||
| Three Feminine Portraits - Lady Hunsdon's Allemande | Hopkinson Smith, John Dowland | B♭ Major | 2 | 6B | 80 BPM | ||
| Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
| Viola da Gamba Suite in D Major: VI. Adagio | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 95 BPM | ||
| Lachrimae or Seven Tears: I. Lachrimae antiquae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
| In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | ||
| Il primo libro de balli: Pass'e mezzo Moderno | Giorgio Mainerio, Paul Beier, Galatea | C Major | 1 | 8B | 120 BPM | ||
| Love's Goddess Sure Was Blind "Birthday Ode for Queen Mary", Z. 331: May Her Blest Example Chase - Tune "Hey Boys, up Go We: Jig - Suite for Strings in G Major, Z. 770: Borry | Henry Purcell, Les Musiciens De Saint-Julien, François Lazarevitch | D♭ Minor | 3 | 12A | 93 BPM | ||
| La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM | ||
| Chi passa per 'sta strada: Chi passa per 'sta strada | Filippo Azzaiolo, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey | F Major | 1 | 7B | 107 BPM |