"Снегурочка, пролог: Заключительная сцена "Домой иди!"" by Раиса Котова, Александр Архипов, Ирина Журина, хор Большого театра, Александр Лазарев, Оркестр Большого театра had its release date on November 18, 2014. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in Римский-Корсаков: Снегурочка, so we believe that "Снегурочка, пролог: Заключительная сцена "Домой иди!"" is a single. In terms of popularity, Снегурочка, пролог: Заключительная сцена "Домой иди!" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Снегурочка, пролог: Заключительная сцена "Домой иди!" by Раиса Котова, Александр Архипов, Ирина Журина, хор Большого театра, Александр Лазарев, Оркестр Большого театра is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tosca, Act II: Tosca è un buon falco! | Giacomo Puccini, Ludovic Tezier, Nicolò Ceriani, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Bellini: I puritani: "T’appellan le schiere" (Bruno, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Wagner: Lohengrin, Act 3: "Weh, nun ist aller Glück dahin!" (Lohengrin, Elsa) | Richard Wagner, Daniel Barenboim, Emily Magee, Peter Seiffert, Staatskapelle Berlin | C Major | 0 | 8B | 68 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Ich bin Rosine Leckermaul" [The Nibblewitch, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 75 BPM | ||
| Grande Messe des Morts: XVIII. Offertorium: Vado et non revertar - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | A♭ Major | 0 | 4B | 168 BPM | ||
| Los Gavilanes: "Amigos, siempre amigos" | Coro Cantores de Madrid, Teresa Berganza | A Major | 2 | 11B | 129 BPM | ||
| Priceless | Yakubu | E Major | 1 | 12B | 103 BPM | ||
| Carmen, Act I: Finale. Le lieutenant! Prenez garde! | Georges Bizet, Jean Barney, Jean-Noel Sissia, Maria Laborit, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 175 BPM | ||
| Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
| Hamlet, Act II: O vin, dissipe la tristesse | Ambroise Thomas, Dmitri Hvorostovsky, Andrey Azovsky, Dmitry Kuznetsov, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | B♭ Major | 3 | 6B | 170 BPM | ||
| Manon Lescaut / Act 1: La tua ventura ci rassicura | Giacomo Puccini, Ramón Vargas, Giuseppe Taddei, Dwayne Croft, Federico Davia, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | G Minor | 2 | 6A | 126 BPM | ||
| Puccini : Tosca : Act 2 "Vissi d'arte" [Tosca] | Giacomo Puccini, Zubin Mehta, Orchestra Sinfonica | E Major | 1 | 12B | 106 BPM | ||
| Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon | Gustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Le ciel est bleu !" (Chœur, Nourabad, Nadir) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Jacques Mars, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 1 | 7B | 86 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Il barbiere di Siviglia, Act I: Cavatina. Ecco, ridente in cielo - Ehi, Fiorello? | Gioachino Rossini, Frank Lopardo, Chamber Orchestra of Europe, Claudio Abbado | C Major | 2 | 8B | 68 BPM | ||
| Suor Angelica: Il principe Gualtiero vostro padre | Giacomo Puccini, Christa Ludwig, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | E Major | 1 | 12B | 98 BPM | ||
| Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
| The Kingdom, Op. 51: Ia. In The Upper Room (Seek first the kingdom) | Edward Elgar, Francesca Chiejina, Sarah Connolly, Benjamin Hulett, Ashley Riches, Crouch End Festival Chorus, London Mozart Players, David Temple | D Minor | 2 | 7A | 62 BPM | ||
| Weber: Abu Hassan, J. 106: "Liebes Weibchen, reiche Wein" (Fatime, Abu Hassan) | Carl Maria von Weber, Wolfgang Sawallisch, Edda Moser, Nicolai Gedda, Orchester der Bayerischen Staatsoper München | C Major | 5 | 8B | 139 BPM | ||
| Aleko: Duet and Finale "Pora! Postoy!" | Sergei Rachmaninoff, Светлана Волкова, Александр Федин, Yevgeny Nesterenko, Владимир Маторин, Раиса Котова, Эмилия Москвитина, Большой хор Всесоюзного радио и Центрального телевидения, Dmitri Kitayenko, Moscow Philharmonic Symphony Orchestra | D♭ Major | 2 | 3B | 180 BPM | ||
| The Dream of Gerontius, Op. 38, Part I: No. 7, I can no more; for now it comes again (Gerontius) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton | D Major | 2 | 10B | 86 BPM | ||
| Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM |