Milosh's 'Leaving Samui' had a release date set for August 25, 2008. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Milosh's "iii" album is number 8 out of 9. Based on our statistics, Leaving Samui's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Leaving Samui by Milosh to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Camels | Vondelpark | E Major | 8 | 12B | 95 BPM | ||
| Still Young | Evenings | E Major | 8 | 12B | 93 BPM | ||
| Outro 4 NYC | Vondelpark | C Major | 3 | 8B | 120 BPM | ||
| Cloud Nine | HÆLOS | D Minor | 7 | 7A | 112 BPM | ||
| Nothing Is Worth Losing That | Telefon Tel Aviv | E Minor | 5 | 9A | 120 BPM | ||
| As The Mind It Changes | Kyson | F Major | 2 | 7B | 192 BPM | ||
| Thawn | Stumbleine | B Major | 5 | 1B | 120 BPM | ||
| Hipbone | Vondelpark | C Minor | 5 | 5A | 90 BPM | ||
| The End of Akira | Guilty Ghosts | E Major | 5 | 12B | 77 BPM | ||
| Feat B | Vondelpark | A Major | 3 | 11B | 110 BPM | ||
| Softly Draining Seas | Jamie Isaac | F Major | 4 | 7B | 96 BPM | ||
| Silent Weapons | Turtle | B Minor | 7 | 10A | 111 BPM | ||
| Blink In The Night | Grasscut | G Minor | 7 | 6A | 126 BPM | ||
| Conversations | Thrupence, Edward Vanzet | B Major | 6 | 1B | 126 BPM | ||
| Arterial | Lusine | B Major | 6 | 1B | 90 BPM | ||
| Tobyjug | Doc Daneeka, Abigail Wyles | B♭ Minor | 5 | 3A | 125 BPM | ||
| Earth Not Above | HÆLOS | F♯ Minor | 8 | 11A | 95 BPM | ||
| Blue Schwinn | Yppah | F♯ Minor | 10 | 11A | 104 BPM | ||
| Do You Want What I Need | Milosh | E Minor | 8 | 9A | 127 BPM | ||
| Silent Singularity Sea | Ebonwave Nomad | B Major | 4 | 1B | 104 BPM | ||
| Ocean Tides | Kyson | C Major | 3 | 8B | 114 BPM | ||
| When The Rain Falls | Mike Monday | B♭ Major | 4 | 6B | 170 BPM | ||
| Midnight Millennium Mark | Voidbloom Cipher | D Major | 3 | 10B | 158 BPM | ||
| Kiss Tomorrow Goodbye | Arms and Sleepers | D♭ Major | 4 | 3B | 134 BPM | ||
| How Life Was Meant to Be Lived | Slow Dancing Society | A♭ Major | 1 | 4B | 133 BPM |