Uthara Unnikrishnan's 'Pibare Rama Rasam' had a release date set for 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 20 in Carnatic Gems - Uthara Unnikrishnan by Uthara Unnikrishnan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Pibare Rama Rasam's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Pibare Rama Rasam by Uthara Unnikrishnan is Allegro (fast, quick, and bright), since this song has a tempo of 150 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theeratha Vilayattu Pillai | Rahul Vellal | A♭ Major | 5 | 4B | 143 BPM | ||
| Kabira - From "Atkan Chatkan" | Drums Shivamani, Uthara Unnikrishnan | G Minor | 6 | 6A | 120 BPM | ||
| Sarasijanabha | Durga Viswanath | D♭ Major | 8 | 3B | 115 BPM | ||
| Surya Suktam | Prasath Sai, Prakash Kumar | B♭ Major | 5 | 6B | 87 BPM | ||
| Sri Surya Narayana Meluko | Parupalli Ranghanath, M.Saradha | D Major | 5 | 10B | 120 BPM | ||
| Innashtu Bekkenna Rama | Sooryagayathri | A Major | 5 | 11B | 140 BPM | ||
| Narayana Suktam | Vighnesh Ghanapaathi, Gurumurthi Bhat, Shridhara Bhat Vedadhara | A Major | 4 | 11B | 125 BPM | ||
| Mudakaratha Modakam | N Parthasarathy, Spoorthi Rao | B♭ Major | 4 | 6B | 84 BPM | ||
| Adamarshana Suktham | Seven | B♭ Major | 5 | 6B | 102 BPM | ||
| Rudrashtaka | Vijay Yesudas | C Major | 4 | 8B | 120 BPM | ||
| Bindumalini Thillana - Bindumalini - Adi | Agastya Sridharan, Ashwin Seshadri, IndianRaga, Kamaladeepthi Vempati, Kavitha Jayaraman, Shravan Kumar Ramani, Sindhuja Bhakthavatsalam | A Major | 3 | 11B | 180 BPM | ||
| Ya Kunde Du Tushar Haar Dhavla | Ketaki Joshi | C Major | 1 | 8B | 90 BPM | ||
| Sree Suktam | Yashasvi Ramakrishna Sharma, Anand, Sriram | G Major | 4 | 9B | 102 BPM | ||
| Vishwadharam gagan Sadrasham - Prahtah Smaran Shlok | Nidhi Dholakia, Nitin Devka | A♭ Major | 0 | 4B | 72 BPM | ||
| Varahi Gayatri | Bombay Saradha | B Minor | 7 | 10A | 165 BPM | ||
| Enna Thavam | Balaji Shankar, Uma & Radha | D Major | 6 | 10B | 164 BPM | ||
| Sri Satyanarayanuni | Nithya Santhoshini | G Minor | 4 | 6A | 150 BPM | ||
| Kaala Bairavashtakam | Sudula Bandhavi, T Hari | F♯ Major | 9 | 2B | 142 BPM | ||
| Anandamrutha | Durga Viswanath | B♭ Major | 7 | 6B | 91 BPM | ||
| Ganapati Om | Hariharan, Sumeet Tappoo | B Minor | 8 | 10A | 113 BPM | ||
| Swagatham Krishna | Sooryagayathri | A♭ Major | 4 | 4B | 114 BPM | ||
| Sri Ramam | R T Rajan, Deepa Thyagarajan | E Major | 5 | 12B | 160 BPM | ||
| Agajananna Padmarkkam | Mathangi Sathyamoorthi | D♭ Minor | 7 | 12A | 147 BPM | ||
| Devaki Nandana Krishna | RG Sarathee, Sravya Attili, Dr. Radhagopee | E Major | 5 | 12B | 90 BPM | ||
| Santatam Pahi Mam | T. M. Krishna | C Major | 3 | 8B | 157 BPM |