"Arson At 563" by Crime In Stereo had its release date on January 6, 2004. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 12 in Explosives and the Will To Use Them by Crime In Stereo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Arson At 563 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Arson At 563 by Crime In Stereo is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Widow In The Sunlight | Fiddlehead | A Major | 9 | 11B | 123 BPM | ||
| Termites Hollow | Grade | D Major | 9 | 10B | 89 BPM | ||
| Ceiling Stare | Such Gold | F Minor | 8 | 4A | 182 BPM | ||
| In Vino Veritas II | A Wilhelm Scream | E♭ Minor | 8 | 2A | 123 BPM | ||
| Whatever It Takes | Fairweather | D Major | 9 | 10B | 100 BPM | ||
| Everything Changes / Nothing Is Ever Truly Lost | Crime In Stereo | F♯ Major | 8 | 2B | 137 BPM | ||
| White Knuckles | Defeater | G Minor | 10 | 6A | 180 BPM | ||
| Buses/No Buses | Bear Vs. Shark | B Minor | 9 | 10A | 103 BPM | ||
| Anchor | Osker | E Major | 9 | 12B | 106 BPM | ||
| Elevens | With Honor | B Minor | 10 | 10A | 110 BPM | ||
| Transparent Seas | Make Do And Mend | D♭ Minor | 10 | 12A | 120 BPM | ||
| Choker | Crime In Stereo | E♭ Major | 9 | 5B | 96 BPM | ||
| Life Gets In The Way Of Living | Grade | C Major | 9 | 8B | 124 BPM | ||
| I'm a Loner Dottie, a Rebel | The Get Up Kids | B Minor | 9 | 10A | 177 BPM | ||
| The D In Detroit | The Anniversary | F♯ Minor | 9 | 11A | 192 BPM | ||
| Odalisque | Crime In Stereo | C Minor | 8 | 5A | 93 BPM | ||
| First Lunch, Then War | Shook Ones | C Major | 10 | 8B | 94 BPM | ||
| Sudan | Crime In Stereo | G Major | 9 | 9B | 104 BPM | ||
| Stolen Bikes Ride Faster | Grade | A Major | 10 | 11B | 88 BPM | ||
| Heart to Heart | Fiddlehead | E Minor | 10 | 9A | 165 BPM | ||
| Broadcasting | Comeback Kid | F♯ Minor | 9 | 11A | 91 BPM | ||
| The Days Don't End | Mil-Spec | G Major | 10 | 9B | 112 BPM | ||
| Midnight: Carroll Street | Into It. Over It. | F Major | 8 | 7B | 129 BPM | ||
| Story Of A Free Man - Chapter Two: The Cold Return | VERSE | F♯ Major | 10 | 2B | 146 BPM | ||
| Getting Over The Overs | Ruiner | G Minor | 9 | 6A | 127 BPM |