George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeannie Cheatham, Bernard Mixon's ' "Changing with The Times: III." was released on its scheduled release date, January 1, 1993. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George E. Lewis, George Lewis's "George Lewis: Changing With the Times" album is number 8 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Changing with The Times: III. is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Changing with The Times: III. by George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeannie Cheatham, Bernard Mixon to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| the sense of senses | David Lang, The Crossing, Donald Nally | G Minor | 2 | 6A | 92 BPM | ||
| Emily — No Prisoner Be: No. 2, I was the slightest in the House — | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 0 | 8B | 134 BPM | ||
| 7 Haikus: V. Poco mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Schubert's "Winterreise": No. 15, Die Krähe | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | C Major | 0 | 8B | 134 BPM | ||
| Recalling Chimes | Vanessa Lann, Ivo Janssen | F♯ Minor | 5 | 11A | 97 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Stasis Field | Yongbom Lee, Ensemble Modern, IEMA Ensemble 2023/24, Jonathan Stockhammer | F♯ Minor | 2 | 11A | 67 BPM | ||
| Look Down, O Lord | Jonathan Seers, The Gesualdo Six, Owain Park | A♭ Minor | 1 | 1A | 86 BPM | ||
| Chasing Sunlight: IV. Exhausted - Live | Mark David Boden, Fenella Humphreys, Sinfonia Cymru, Haim Choi | D Minor | 1 | 7A | 109 BPM | ||
| War Requiem, Op. 66: xiv. Dies Irae - Pie Iesu Domine | Benjamin Britten, Gianandrea Noseda, London Symphony Chorus, London Symphony Orchestra | D♭ Major | 0 | 3B | 84 BPM | ||
| String Quartet No. 13 in B-Flat Minor, Op. 138: I. Adagio - Doppio movimento - Tempo primo | Dmitri Shostakovich, Cuarteto Casals | C Major | 0 | 8B | 134 BPM | ||
| Le marteau sans maître: Commentaire I de "Bourreaux de solitude" | Pierre Boulez, Hilary Summers, Ensemble Intercontemporain | F Minor | 1 | 4A | 87 BPM | ||
| Chicago Dadagram: III. | George E. Lewis, George Lewis, Daniel Koppelman, Ruth Neville, Jerome Rothenberg | D♭ Major | 3 | 3B | 122 BPM | ||
| Looduspildid No. 3 "Sügismaastikud": VII. Kanarbik | Veljo Tormis, Allmänna Sången, Cecilia Rydinger Alin | A♭ Major | 1 | 4B | 167 BPM | ||
| poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | C Major | 0 | 8B | 134 BPM | ||
| Beyond the Stars | Astrid Voix | C Major | 0 | 8B | 134 BPM | ||
| Requiem, Op. 9: I. Introït | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole | F Major | 1 | 7B | 76 BPM | ||
| Schubert's "Winterreise": No. 1, Gute Nacht | Hans Zender, Franz Schubert, Aurora Orchestra, Nicholas Collon, Allan Clayton | C Major | 0 | 8B | 134 BPM | ||
| Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 124 BPM | ||
| The View from Skates in Berkeley | George E. Lewis, George Lewis, Douglas Ewart, Mary Oliver, Peter Gonzales III, Jeannie Cheatham, Bernard Mixon, Quincy Troupe | G Major | 1 | 9B | 90 BPM | ||
| Music for 18 Musicians: Section II | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | A Major | 2 | 11B | 100 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM |