"THATNESS AND THERENESS - CORNELIUS REMODEL" by Ryuichi Sakamoto, Cornelius had its release date on November 30, 2022. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 13 in A Tribute to Ryuichi Sakamoto - To the Moon and Back by Ryuichi Sakamoto. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. THATNESS AND THERENESS - CORNELIUS REMODEL is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of THATNESS AND THERENESS - CORNELIUS REMODEL by Ryuichi Sakamoto, Cornelius is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yokaze | Itoko Toma | C Major | 1 | 8B | 135 BPM | ||
| Verses | Ólafur Arnalds, Alice Sara Ott | D♭ Minor | 2 | 12A | 142 BPM | ||
| Wong Chia Chi's Theme | Alexandre Desplat | D Minor | 2 | 7A | 78 BPM | ||
| Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | ||
| The Blue Notebooks | Max Richter, Tilda Swinton | G Major | 2 | 9B | 108 BPM | ||
| 赤とんぼ(Aka Tombo) | Taeko Onuki, Ryuichi Sakamoto | B Major | 0 | 1B | 114 BPM | ||
| Mad Rush: Part D (Bar 232 - Bar 273) | Philip Glass, Vestard Shimkus | F Major | 0 | 7B | 65 BPM | ||
| Solitude | Ryuichi Sakamoto | A♭ Major | 0 | 4B | 72 BPM | ||
| 夢二のテーマ | Shigeru Umebayashi | C Minor | 2 | 5A | 129 BPM | ||
| energy flow - rework | U-zhaan, Ryuichi Sakamoto | C Major | 4 | 8B | 168 BPM | ||
| My Friend the Forest | Nils Frahm | A♭ Major | 0 | 4B | 83 BPM | ||
| Flower | Taeko Onuki, Ryuichi Sakamoto | A Minor | 0 | 8A | 129 BPM | ||
| Sheep | Hiroshi Yoshimura | G Major | 1 | 9B | 81 BPM | ||
| Before Long | Ryuichi Sakamoto | C Major | 0 | 8B | 76 BPM | ||
| Monsieur Croche | Stephen Emmer | G Minor | 1 | 6A | 111 BPM | ||
| Satie: 3 Gymnopédies: No. 1, Lent et douloureux | Erik Satie, Aldo Ciccolini | G Major | 0 | 9B | 81 BPM | ||
| We'll live through the long, long days, and through the long nights (Oto) | Eiko Ishibashi | A♭ Major | 0 | 4B | 125 BPM | ||
| Silver Moon Over Sleeping Steeples | David Sylvian | D Major | 2 | 10B | 120 BPM | ||
| Merry Christmas Mr. Lawrence | Ryuichi Sakamoto | B♭ Minor | 2 | 3A | 105 BPM | ||
| Electric Counterpoint: III. Fast | Steve Reich, Pat Metheny | G Major | 3 | 9B | 128 BPM | ||
| Betty et Zorg | Gabriel Yared | G Major | 0 | 9B | 79 BPM | ||
| ラビリンス (Thousand Tears Orchestra Instrumental) | Mondo Grosso | E♭ Minor | 1 | 2A | 112 BPM | ||
| Clair de Lune | Claude Debussy, Hayato Sumino | B♭ Major | 0 | 6B | 68 BPM | ||
| Dream 1 (before the wind blows it all away) - Pt. 2 | Max Richter | F♯ Major | 0 | 2B | 64 BPM | ||
| 一対の宝玉 | Marihiko Hara | C Minor | 1 | 5A | 82 BPM |