桜庭 統's 'Sacred song' had a release date set for 1998. With This song being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 87 in the song's album "STAR OCEAN THE SECOND STORY ORIGINAL SOUNDTRACK". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Japan. Based on our statistics, Sacred song's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Sacred song by 桜庭 統 having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gorgon | The 1999 | G Major | 9 | 9B | 140 BPM | ||
| Elheim Overworld (Day) | 金田光弘, ベイシスケイプ | B♭ Minor | 4 | 3A | 140 BPM | ||
| Should You Choose to Accept It | Harry Mack | D Minor | 3 | 7A | 105 BPM | ||
| Desarollo | Stephor Shpandau | E♭ Major | 1 | 5B | 99 BPM | ||
| Burgeoning Life | 石元丈晴 | F♯ Minor | 9 | 11A | 140 BPM | ||
| Lakes and Marshes with Doubt | 桜庭 統 | A Major | 6 | 11B | 75 BPM | ||
| Opening for Lba | Philippe Vachey | A♭ Major | 1 | 4B | 132 BPM | ||
| Flight of the Zinger | Josh Willis, Cartridge Thunder | B♭ Major | 2 | 6B | 104 BPM | ||
| abyss | MOTOO FUJIWARA | A Minor | 3 | 8A | 140 BPM | ||
| The Continuing Journey | T’s MUSIC | A Major | 6 | 11B | 77 BPM | ||
| Platinum Class | Kumi Tanioka, 逆転オセロニア | G Major | 9 | 9B | 140 BPM | ||
| 逆転オセロニアのテーマ | Kumi Tanioka, 逆転オセロニア | G Major | 9 | 9B | 140 BPM | ||
| Into a Storm not Memorized | 桜庭 統 | A Major | 6 | 11B | 75 BPM | ||
| Wisdom of the Ages | 上松 範康 | E Minor | 4 | 9A | 103 BPM | ||
| Dungeon Depths | Jay Barbeau, Daybreak Audio Team | A Minor | 1 | 8A | 100 BPM | ||
| Battle for Firestorm Citadel | Harry Mack | A♭ Major | 5 | 4B | 162 BPM | ||
| Eternal Recurrence | Hiroki Kikuta | G Minor | 4 | 6A | 71 BPM | ||
| Blood on the Keys | 桜庭 統 | D Minor | 1 | 7A | 64 BPM | ||
| The Mystic Forest | Eddie Marianukroh | F Minor | 2 | 4A | 87 BPM | ||
| 闘争都市 ルミナ・クロス | 福田考代 | B Minor | 7 | 10A | 115 BPM | ||
| The Road to Redemption | Eddie Marianukroh | A Minor | 1 | 8A | 74 BPM | ||
| グランプリ | Kenji Kawai | B♭ Minor | 3 | 3A | 138 BPM | ||
| Per Caelum et Terram (Overworld Travel) | Son Of a Die | A Minor | 4 | 8A | 94 BPM | ||
| 荒野 夕方 | 福田考代 | E Minor | 6 | 9A | 100 BPM | ||
| Lucero Del Alba | Johanna Faya, Sexon | C Major | 0 | 8B | 139 BPM |