Susana Rinaldi's 'Chanson désespérée' had a release date set for April 12, 1987. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Chanson désespérée's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Susana Rinaldi, “La tana” avec tout". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Argentina. In terms of popularity, Chanson désespérée is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Chanson désespérée by Susana Rinaldi having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cambalache | Tita Merello, Francisco Canaro Y Su Orquesta Tipica | A Major | 4 | 11B | 131 BPM | ||
| El Tiempo Será Testigo | Héctor Varela | G Minor | 6 | 6A | 119 BPM | ||
| No Me Supiste Amar | Orquesta Carlos di Sarli, Horacio Casares | A Minor | 3 | 8A | 121 BPM | ||
| Sin Tu Mitad | Maria Graña | A Minor | 1 | 8A | 124 BPM | ||
| Convencernos | Raúl Lavié, Chico Novarro | G Major | 8 | 9B | 123 BPM | ||
| Como Dos Extraños | Raúl Lavié | F Major | 4 | 7B | 107 BPM | ||
| Lo Han Visto Con Otra - Remasterizado | Ignacio Corsini | D Minor | 5 | 7A | 98 BPM | ||
| Afiches | Omar Mollo | C Minor | 6 | 5A | 111 BPM | ||
| Aparicion de Rosendo | Daniel Binelli, Jairo | A♭ Minor | 7 | 1A | 90 BPM | ||
| Pobre Flor (Primera Ilusión) | Gisela Magri, Julieta Laso | F Minor | 5 | 4A | 137 BPM | ||
| La Última Grela | Susana Rinaldi | F Minor | 1 | 4A | 75 BPM | ||
| Cafe La Humedad | Rubén Juárez | G Minor | 4 | 6A | 105 BPM | ||
| Sin Lágrimas | Rubén Juárez | G Major | 2 | 9B | 73 BPM | ||
| Lo Que Vos te Mereces | Alfredo Belusi | F Minor | 4 | 4A | 119 BPM | ||
| Por La Vuelta | Floreal Ruiz | C Major | 5 | 8B | 117 BPM | ||
| Naranjo en Flor | Sandra Luna, Franco Luciani, Leonardo Andersen, Pablo Motta | A Major | 2 | 11B | 170 BPM | ||
| La Nochera | Horacio Molina | F♯ Major | 1 | 2B | 126 BPM | ||
| Baldosa Floja | Soledad Villamil | F♯ Major | 6 | 2B | 95 BPM | ||
| Mi Bandoneon Y Yo | Rubén Juárez, Carlos Garcia | B♭ Major | 2 | 6B | 110 BPM | ||
| Claudinette | Lidia Borda, Diego Schissi | A Minor | 1 | 8A | 82 BPM | ||
| Tu pálida voz | Lidia Borda, Diego Schissi | G Major | 2 | 9B | 131 BPM | ||
| Mariposita | Francis Andreu | F Major | 4 | 7B | 109 BPM | ||
| Rezo por Vos | Spinettango | G Major | 3 | 9B | 109 BPM | ||
| La Novena | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Major | 5 | 11B | 128 BPM | ||
| Papelitos para recordar | Juan Villarreal, Patricio Noé Crom | F Major | 3 | 7B | 122 BPM |