Rie Kitahara's ' "ガスパチョ・スープ" was released on its scheduled release date, April 21, 1984. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. ガスパチョ・スープ's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 南風, so we believe that "ガスパチョ・スープ" is a single. In terms of popularity, ガスパチョ・スープ is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of ガスパチョ・スープ by Rie Kitahara is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ピンク・シャドウ | Bread And Butter | E Minor | 7 | 9A | 178 BPM | ||
| 感じるままに | Kei Ishiguro | D Major | 6 | 10B | 103 BPM | ||
| シトラスの夢 | Citypopvibes | F Minor | 5 | 4A | 119 BPM | ||
| ティー・フォー・ワン | Rajie | C Minor | 8 | 5A | 119 BPM | ||
| Saigo-no Tejina | Hiroshi Sato | F Major | 6 | 7B | 145 BPM | ||
| IT ISN'T EASY | Hiroshi Sato | F♯ Minor | 4 | 11A | 122 BPM | ||
| 私自身 | Ayumi Ishida, ティン・パン・アレー | F Major | 6 | 7B | 109 BPM | ||
| お祭り | Mioko Yamaguchi | B♭ Minor | 6 | 3A | 115 BPM | ||
| Kimagure | 中村久美 | F Minor | 4 | 4A | 98 BPM | ||
| 今夜だけDance・Dance・Dance | Meiko Nakahara | F Major | 2 | 7B | 144 BPM | ||
| Layla | 黒住憲五 | A♭ Minor | 6 | 1A | 110 BPM | ||
| 心のままに | 朝比奈 マリア | F Minor | 8 | 4A | 115 BPM | ||
| Special To Me (Original Remastered 2018) | Wink | F♯ Major | 2 | 2B | 138 BPM | ||
| やさしい声で殺して | 門あさ美 | G Major | 4 | 9B | 83 BPM | ||
| Surprise | Cindy | F♯ Minor | 6 | 11A | 163 BPM | ||
| Pastel Love | 黒住憲五 | A Major | 7 | 11B | 97 BPM | ||
| Private Beach | Meiko Nakahara | F Minor | 2 | 4A | 104 BPM | ||
| 夕日とクリームソーダ | Citypopvibes | E♭ Major | 6 | 5B | 137 BPM | ||
| NEW YORK AFTERNOON | Yasuko Agawa | D♭ Major | 6 | 3B | 100 BPM | ||
| Glass no Sougen | Momoko Kikuchi | A♭ Minor | 8 | 1A | 167 BPM | ||
| After the last train (終電のあとで) | Retro City Pop | D Major | 5 | 10B | 108 BPM | ||
| SUNDAY BRUNCH | Kanako Wada | C Major | 7 | 8B | 121 BPM | ||
| DOWNTOWN BOY | Yumi Matsutoya | D Major | 6 | 10B | 118 BPM | ||
| Morning Breeze | Hiromi Iwasaki | B♭ Major | 4 | 6B | 98 BPM | ||
| カンバセーション | Hiromi Iwasaki | D Minor | 1 | 7A | 93 BPM |