"Home At Last" by Brian Kelly had its release date on February 14, 2005. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Home At Last's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Pools Of Light". In this album, this song's track order is #10. Home At Last is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Home At Last by Brian Kelly having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Farewell Fields (Solo Piano) | Laura Sullivan | A♭ Major | 1 | 4B | 124 BPM | ||
| Into the Deeper Woods | Woonai | D Minor | 1 | 7A | 168 BPM | ||
| Meuse | Kokoro Shimizu | C Major | 2 | 8B | 133 BPM | ||
| Always & Forever - solo piano version | Luederwaldt | B♭ Major | 1 | 6B | 130 BPM | ||
| Hills in Bloom | Brian Kelly | D♭ Minor | 4 | 12A | 143 BPM | ||
| Musical Perfection | Pino Moravia | B Major | 2 | 1B | 134 BPM | ||
| Hue of Indigo and Blue | Michele Giacobbe | E♭ Major | 1 | 5B | 160 BPM | ||
| Signal Mountain Sunrise | Christi Stills | G Major | 2 | 9B | 143 BPM | ||
| Baleia | Bastien Giraud | A Minor | 1 | 8A | 136 BPM | ||
| Nighthawks - 2024 remastered | Freddy Minc | A Minor | 3 | 8A | 88 BPM | ||
| When It Begins | Levi Gangi | D Major | 0 | 10B | 69 BPM | ||
| The Valley | Andrew Kiteck | E Minor | 0 | 9A | 73 BPM | ||
| The Mountain | Andrew Kiteck | F Major | 1 | 7B | 79 BPM | ||
| Daffodil Hill | Brian Kelly | A Major | 2 | 11B | 72 BPM | ||
| Cool Blue | Brian Kelly | F Minor | 3 | 4A | 80 BPM | ||
| Meadowlark | Greg Maroney | F Major | 1 | 7B | 135 BPM | ||
| Sueños Brisas | Aire Zen E | D Major | 1 | 10B | 145 BPM | ||
| Seeking Within | Maor Rosenberg | B♭ Major | 1 | 6B | 130 BPM | ||
| Give it to the Sea | Ania Vena, Johanna Maria Naulaerts | F♯ Minor | 1 | 11A | 128 BPM | ||
| Gesang der wandernden Wolken | Damian Scholz | A Minor | 2 | 8A | 74 BPM | ||
| Sophora | Dhalty | F Major | 2 | 7B | 182 BPM | ||
| Chrysalis to Butterfly | Richard Goldsworthy | C Major | 1 | 8B | 70 BPM | ||
| Fly Free | Deovincci Dasig | A Minor | 4 | 8A | 100 BPM | ||
| Winter Scene | Laurence Manning | A Major | 8 | 11B | 107 BPM | ||
| Visions, Pt. 5 "Salvation": Picture 3 | Tomasz Trzcinski | A Major | 1 | 11B | 116 BPM |