Raúl Lavié's ' "Gracias Buenos Aires" was released on its scheduled release date, 2006. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 14 in Baile De Domingo by Raúl Lavié. In terms of popularity, Gracias Buenos Aires is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Gracias Buenos Aires by Raúl Lavié is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cafetín de Buenos Aires | Virginia Luque | A♭ Major | 2 | 4B | 108 BPM | ||
| Tarjeta Postal | Tita Merello | G Major | 4 | 9B | 87 BPM | ||
| Catarsis | Paula Dordolo | C Major | 2 | 8B | 126 BPM | ||
| El choclo | Cuarteto Guardia Vieja | D Major | 5 | 10B | 142 BPM | ||
| La Gente | Raúl Lavié | A Major | 9 | 11B | 142 BPM | ||
| Pasional | Omar Mollo | D♭ Minor | 2 | 12A | 78 BPM | ||
| Campo Afuera | Nelly Omar | E Major | 5 | 12B | 92 BPM | ||
| Tal vez será su voz | Lidia Borda, Orquesta El Arranque | G Major | 3 | 9B | 83 BPM | ||
| La Última Curda | Omar Mollo | C Major | 5 | 8B | 113 BPM | ||
| Desencanto | Mariana Mazú, Maggie Cullen | B Major | 6 | 1B | 103 BPM | ||
| Griseta - Remasterizado | Ignacio Corsini | F Major | 2 | 7B | 68 BPM | ||
| Vida mia | Osvaldo Fresedo | D♭ Major | 4 | 3B | 116 BPM | ||
| El Choclo | Tita Merello | B Major | 4 | 1B | 149 BPM | ||
| Bandoneón Arrabalero | Raúl Lavié | C Major | 2 | 8B | 80 BPM | ||
| Zamba para Olvidarte | Ligia Piro | E Minor | 1 | 9A | 80 BPM | ||
| Sueño de Barrilete | Susana Rinaldi | F♯ Minor | 2 | 11A | 106 BPM | ||
| Desde el Alma - En Vivo | Ligia Piro, Susana Rinaldi | A♭ Major | 5 | 4B | 95 BPM | ||
| Atenti, Pebeta | Edmundo Rivero | C Major | 3 | 8B | 119 BPM | ||
| Como - En Vivo | Chico Novarro | A Major | 2 | 11B | 77 BPM | ||
| Nada | Mariana Quinteros, Anibal Berraute | C Major | 3 | 8B | 166 BPM | ||
| Quiero Verte una Vez Más | Roberto Siri | A Minor | 2 | 8A | 112 BPM | ||
| Chiquilín de Bachín | Amelita Baltar, Fito Paez | D♭ Major | 3 | 3B | 78 BPM | ||
| Historia de un Amor (with Karina) | Jorge Vázquez, Karina | D Minor | 5 | 7A | 95 BPM | ||
| Naranjo en Flor | Susana Rinaldi, Leopoldo Federico | A Major | 1 | 11B | 144 BPM | ||
| Última Copa en el Abismo | RICHAR MT | C Major | 6 | 8B | 118 BPM |