"Hypnotize" by Mark Richardson had its release date on August 1, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mark Richardson's "Music For The Alternative" album is number 11 out of 12. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Hypnotize's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hypnotize by Mark Richardson to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thor - Club Mix | Mark Richardson | B♭ Major | 10 | 6B | 140 BPM | ||
| Guess Who's Back (feat. L Street) [Dub] | Mark Richardson, L Street | B♭ Minor | 8 | 3A | 98 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 7, Low-born clods of brute earth (Demons) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Jamie Barton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Peter and the Wolf, Op. 67: XIII. The Procession to the Zoo | Wiener Opernorchester | B♭ Major | 1 | 6B | 105 BPM | ||
| Cwm Rhondda / Guide Me, O Thou Great Jehovah | John Hughes, Bryn Terfel, Welsh National Opera Orchestra, Gareth Jones, The Black Mountain Choir, The Risca Choir | A♭ Major | 3 | 4B | 80 BPM | ||
| Abide with Me | Will Henry Monk, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth, London Voices, Terry Edwards | E♭ Major | 3 | 5B | 81 BPM | ||
| The Marriage of Figaro, K. 492, Act IV: Finale - Contessa perdono | Wolfgang Amadeus Mozart, Benjamin Holder, Hungarian Studio Orchestra, Hungarian Studio Choir | A Major | 1 | 11B | 52 BPM | ||
| 17. You may go, for you're at liberty | Arthur Sullivan, Valerie Masterson, Pauline Wales, Christene Palmer, Jean Allister, Philip Potter, George Cook, John Reed, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | F Major | 3 | 7B | 106 BPM | ||
| Mussorgsky: Boris Godunov, Act 1: Drinking Song. "Kak vo gorode bylo vo Kazani" (Varlaam, Grigoriy, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
| Donizetti: L'elisir d'amore, Act 2: "Cantiamo, facciam brindisi" (Belcore, Dulcamara, Giannetta, Adina, Coro) | Gaetano Donizetti, Marcello Viotti, Bruno Praticò, Francesca Provvisionato, Mariella Devia, Pietro Spagnoli, Tallis Chamber Choir, English Chamber Orchestra | B♭ Major | 1 | 6B | 83 BPM | ||
| Wagner: Lohengrin, Act 2: "Des Königs Wort und Will' tu ich euch kund" (Herald, Frederick, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Falk Struckmann, Roman Trekel, Staatskapelle Berlin | D Major | 3 | 10B | 93 BPM | ||
| Stabat Mater: 10. Amen | Gioachino Rossini, London Symphony Chorus, London Symphony Orchestra, István Kertész | G Major | 4 | 9B | 69 BPM | ||
| My Fair Lady, Act I Scene 4: With a Little Bit of Luck (Reprise) | Frederick Loewe, Sinfonia Of London, John Wilson, Alun Armstrong, Sharif Afifi, Adam Vaughan | C Major | 4 | 8B | 125 BPM | ||
| Bellini: I puritani: "A festa!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Wagner: Lohengrin, Act 1: "Seht hin! Sie naht, die hart Beklagte!" (Chor, König Heinrich, Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | F♯ Major | 2 | 2B | 97 BPM | ||
| 3. Oh, better far to live and die | Arthur Sullivan, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | C Major | 2 | 8B | 97 BPM | ||
| H.M.S. Pinafore, Act I: Sir, You Are Sad | Gilbert & Sullivan Society of Houston | C Major | 1 | 8B | 174 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Turandot / Act 3: "Tu che di gel sei cinta! - extract | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, Piero de Palma, Pier Francesco Poli, Tom Krause, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 1 | 2A | 79 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM | ||
| Missa Alleluja: Dona nobis pacem | Heinrich Ignaz Franz von Biber, St. Florianer Sängerknaben, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 97 BPM | ||
| Peter and the Wolf, Op. 67: Introduction | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | G Minor | 1 | 6A | 110 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Ah! Un foco insolito" (Pasquale) | Gaetano Donizetti, Riccardo Muti, Sesto Bruscantini, Philharmonia Orchestra | C Major | 4 | 8B | 75 BPM | ||
| Rigoletto / Act 3: "V'ho ingannato" | Giuseppe Verdi, Cheryl Studer, Vladimir Chernov, Metropolitan Opera Orchestra, James Levine | D♭ Major | 2 | 3B | 80 BPM | ||
| Orff: Carmina Burana, Pt. 2, In Taberna: Olim lacus colueram | Carl Orff, Sir Simon Rattle, Lawrence Brownlee, Rundfunkchor Berlin, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM |