"Rare Bird" by Caitlyn Smith had its release date on March 13, 2020. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Supernova". In this album, this song's track order is #8. Based on our statistics, Rare Bird's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rare Bird by Caitlyn Smith having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Changes | Cam | D♭ Minor | 4 | 12A | 135 BPM | ||
| What Could've Been - Acoustic | Gone West | B♭ Major | 5 | 6B | 144 BPM | ||
| Real To Me | Callista Clark | A♭ Minor | 2 | 1A | 132 BPM | ||
| Please, Baby Please | Serena Ryder | C Major | 2 | 8B | 95 BPM | ||
| Return | Natalie Hemby | B♭ Major | 7 | 6B | 78 BPM | ||
| Strong | Gabby Barrett | F Major | 5 | 7B | 87 BPM | ||
| It's Always Been You | Katie Pruitt | G Major | 1 | 9B | 130 BPM | ||
| Everywhere I'm Goin' | Maddie & Tae | G Major | 7 | 9B | 79 BPM | ||
| And Then The Quiet | Margot Todd | A Minor | 2 | 8A | 81 BPM | ||
| Keep My Head Up | Anna Mae | G Major | 5 | 9B | 92 BPM | ||
| Never Want to Be In Love | Savannah Conley | E Major | 7 | 12B | 170 BPM | ||
| I Don't Like The World Without You | Caitlyn Smith | F♯ Major | 1 | 2B | 166 BPM | ||
| New Madrid | Natalie Hemby | E Major | 8 | 12B | 135 BPM | ||
| The Kids Are Growing Up | Jill Andrews | F Major | 5 | 7B | 144 BPM | ||
| Everything I Love | Temecula Road | A♭ Major | 8 | 4B | 100 BPM | ||
| I Know Where I've Been - from the Netflix Film "Luckiest Girl Alive" | Elle King | A Major | 2 | 11B | 96 BPM | ||
| The Faker | Hailey Whitters | G Major | 2 | 9B | 152 BPM | ||
| Your Head and Your Heart | The Saint Johns | F♯ Minor | 5 | 11A | 143 BPM | ||
| Looking For A Lighter | Caylee Hammack | F Major | 4 | 7B | 139 BPM | ||
| Til the Goin' Gets Gone | Lindi Ortega | B♭ Major | 2 | 6B | 147 BPM | ||
| Background Music | Maren Morris | C Major | 3 | 8B | 126 BPM | ||
| My Mind’s A Ship (That’s Going Down) | Katie Pruitt | C Major | 2 | 8B | 147 BPM | ||
| We're Not Friends | Ingrid Andress | D Major | 5 | 10B | 121 BPM | ||
| Dream, Girl | Hailey Whitters | E Major | 7 | 12B | 120 BPM | ||
| Hand Over My Heart | The Secret Sisters | B Major | 2 | 1B | 136 BPM |