"Hindemith: Symphony in B flat I. Moderately fast, with vigor" by Paul Hindemith, Royal Norwegian Navy Band, Ingar Bergby, Kongelige Norske Marines Musikkorps had its release date on January 10, 2014. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Symphonies of Wind Instruments". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Norway. Based on our statistics, Hindemith: Symphony in B flat I. Moderately fast, with vigor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hindemith: Symphony in B flat I. Moderately fast, with vigor by Paul Hindemith, Royal Norwegian Navy Band, Ingar Bergby, Kongelige Norske Marines Musikkorps having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Svanevit Suite, Op. 54: VI. Svanevit och prinsen | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Copland: Symphony No. 3: III. Andantino quasi allegretto - | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | E Minor | 0 | 9A | 71 BPM | ||
| Horn Concerto, Op. 58: II. Scherzo | Ruth Gipps, Martin Owen, BBC Philharmonic, Rumon Gamba | F Minor | 0 | 4A | 47 BPM | ||
| Violin Sonata No. 1, Op. 31: II. Sehr langsame Viertel | Paul Hindemith, Herwig Zack | G Minor | 1 | 6A | 81 BPM | ||
| Viola Sonata, Op. 25, No. 1: I. Breit Viertel | Paul Hindemith, Nobuko Imai | E Minor | 1 | 9A | 132 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Le sacre du printemps / Pt. 2: Le sacrifice: XIV. Danse sacrale: L'Élue | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Major | 2 | 8B | 152 BPM | ||
| Holocaust - In memoriam: II. To Victory | Maya Badian, Romanian National Orchestra, Ludovic Bacs | G Minor | 2 | 6A | 73 BPM | ||
| Enescu: String Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Quatuor Ébène, Belcea Quartet | D Minor | 4 | 7A | 110 BPM | ||
| Violin Concerto No. 3: III. Dance. Giocoso. | Joseph Achron, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | D Minor | 4 | 7A | 110 BPM | ||
| Roussel: Le festin de l'araignée, Op. 17, Pt. 2: XIII. Funérailles de l'Éphémère | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | D♭ Major | 2 | 3B | 99 BPM | ||
| Symphony No. 8 in C Minor, WAB 108: II. Scherzo: Allegro moderato - Trio. Langsam | Anton Bruckner, Wiener Philharmoniker, Pierre Boulez | D♭ Major | 1 | 3B | 125 BPM | ||
| String Quartet No.8 In C Minor, Op.110: 1. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | C Major | 0 | 8B | 60 BPM | ||
| Der Schwanendreher - Concerto For Viola & Small Orchestra: 1. "Zwischen Berg und tiefem Tal" | Paul Hindemith, Daniel Benyamini, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 97 BPM | ||
| Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": IV. Allegro di molto | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 2 | 9A | 117 BPM | ||
| Cardillac, Op. 39, Act III: Ein! Gegenmich hatte er diesen Abend den Dolch erhoben - Live | Paul Hindemith, Juliane Banse, Torsten Kerl, Prague Philharmonic Choir, Munich Radio Orchestra, Stefan Soltesz | D♭ Major | 2 | 3B | 87 BPM | ||
| Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 74 BPM | ||
| Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 3 | 9B | 78 BPM | ||
| Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
| Symphony No. 1, GMW 11: Ib. Immer sehr gemächlich | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | A Major | 0 | 11B | 95 BPM | ||
| Berg: Der Wein | Alban Berg, Giuseppe Sinopoli, Deborah Voigt, Staatskapelle Dresden | F Major | 2 | 7B | 92 BPM |