"Flesh and Bone" by Brian Tuey had its release date on September 3, 2013. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Origins (Original Game Soundtrack)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. In terms of popularity, Flesh and Bone is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flesh and Bone by Brian Tuey having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beast Clergyman | Shoi Miyazawa | B♭ Major | 5 | 6B | 129 BPM | ||
| Skulls of the Damned (From “Call of Duty: Black Ops 3 - Zetsubou No Shima”) | Brian Tuey | G Major | 9 | 9B | 180 BPM | ||
| Visage of Oryx | Skye Lewin, C. Paul Johnson, Michael Salvatori | B♭ Minor | 7 | 3A | 87 BPM | ||
| D4mned (From “Call of Duty: Black Ops 4”) | Brian Tuey | G Major | 9 | 9B | 180 BPM | ||
| The Great Machine | Mike Reagan | C Minor | 6 | 5A | 122 BPM | ||
| Eikthyr Rides | Patrik Jarlestam | D♭ Major | 9 | 3B | 120 BPM | ||
| Collective Consciousness - Maniac Agenda Mix - Instrumental | Jimmy Gnecco | B♭ Minor | 9 | 3A | 120 BPM | ||
| Ending | Shoi Miyazawa, Tsukasa Saitoh | B♭ Major | 4 | 6B | 87 BPM | ||
| Hunger for the Stars | Trevor Gureckis | A♭ Major | 5 | 4B | 131 BPM | ||
| Loose Ends | Pawel Blaszczak | C Major | 4 | 8B | 180 BPM | ||
| Alpine Skyline at Night | Pascal Michael Stiefel | C Minor | 6 | 5A | 110 BPM | ||
| Fateful Find | Metro Exodus, Alexey Omelchuk | G Minor | 6 | 6A | 91 BPM | ||
| Damned 100ae (From “Call of Duty: Black Ops 2”) | Brian Tuey | E Minor | 8 | 9A | 90 BPM | ||
| Down to Business - Bonus Track | Stephen Barton | F♯ Major | 7 | 2B | 92 BPM | ||
| Nemesis' Theme | Masami Ueda | D Major | 1 | 10B | 111 BPM | ||
| Te Lu Ska | Tori Letzler | B♭ Minor | 9 | 3A | 120 BPM | ||
| One Way Out - The Tomb Mix | Brian Tuey | G Minor | 6 | 6A | 115 BPM | ||
| Bring Her Back to Me | Ron Fish | B♭ Minor | 7 | 3A | 124 BPM | ||
| The Bunker Is Not What It Appears - Original OST Extended | Sascha Dikiciyan, Cris Velasco | B♭ Minor | 5 | 3A | 130 BPM | ||
| Grakata | Keith Power | B Minor | 7 | 10A | 117 BPM | ||
| The Court of Oryx | Skye Lewin, C. Paul Johnson, Michael Salvatori | F Minor | 7 | 4A | 102 BPM | ||
| Subterranean Recon | Brian Tyler | C Minor | 5 | 5A | 90 BPM | ||
| The Guardian | Tori Letzler | D♭ Major | 9 | 3B | 125 BPM | ||
| Deimos's Revenge | Gerard Marino | F♯ Major | 7 | 2B | 80 BPM | ||
| Worshippers of the Dead | Yuka Kitamura | D♭ Major | 5 | 3B | 145 BPM |