Holy Shit, Ariel Pink's ' "When You Come Around to Me" was released on its scheduled release date, January 1, 2006. When You Come Around to Me is considered explicit and may contain foul language. This song is about 3 minutes and 4 seconds, which is about the average length of a typical song. There are a total of 12 in the song's album "Stranded at Two Harbors". In this album, this song's track order is #12. In terms of popularity, When You Come Around to Me is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With When You Come Around to Me by Holy Shit, Ariel Pink having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lucky 1 | Avey Tare | D♭ Major | 5 | 3B | 113 BPM | ||
| Summertime | Girls | F Major | 5 | 7B | 140 BPM | ||
| Banana Jam Pt. 1 | Julian Lynch | D♭ Major | 6 | 3B | 126 BPM | ||
| Bombs Away | Holy Shit | B Minor | 9 | 10A | 175 BPM | ||
| Morning Clouds | Elevator To Hell | D♭ Minor | 6 | 12A | 132 BPM | ||
| Through The Skies For You | John Maus | C Major | 9 | 8B | 104 BPM | ||
| Last Night At The Jetty | Panda Bear | F Major | 8 | 7B | 135 BPM | ||
| An Orchid | Atlas Sound | B Minor | 4 | 10A | 180 BPM | ||
| Hey Sparrow | Peaking Lights | A Minor | 4 | 8A | 121 BPM | ||
| Rope Burn | Damaged Bug | F Major | 4 | 7B | 119 BPM | ||
| Firebell Ringing | The Pastels | A Major | 9 | 11B | 142 BPM | ||
| T.K. | Clinic | B♭ Major | 7 | 6B | 114 BPM | ||
| Prospect Hummer | Animal Collective | A♭ Major | 4 | 4B | 105 BPM | ||
| Trouble | Martin Rev | B♭ Minor | 7 | 3A | 164 BPM | ||
| Ease Yourself and Glide | Parsley Sound | A♭ Major | 5 | 4B | 88 BPM | ||
| Your Eyes | White Fence | C Major | 6 | 8B | 78 BPM | ||
| So Damn Pure | Cass McCombs | E Minor | 2 | 9A | 176 BPM | ||
| America's Boy | Broadcast | B Minor | 7 | 10A | 136 BPM | ||
| Video Life | Chris Spedding | E Major | 7 | 12B | 68 BPM | ||
| Mirror Ball | The Crayon Fields | B♭ Major | 6 | 6B | 118 BPM | ||
| The Violet Hour | The Clientele | E Major | 5 | 12B | 125 BPM | ||
| Oblivious | Galaxie 500 | G Major | 7 | 9B | 120 BPM | ||
| Marilyn on a Train (1982) | The Cleaners From Venus | D Major | 9 | 10B | 92 BPM | ||
| Light Brang | Little Wings | A Minor | 4 | 8A | 110 BPM | ||
| Attic Lights | Atlas Sound | F Minor | 3 | 4A | 71 BPM |