"End Credits (From Chinatown)" by The Meridian Studio Ensemble had its release date on March 11, 2016. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. End Credits (From Chinatown)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Meridian Studio Ensemble's "Great Hollywood Themes From The 70's" album is number 1 out of 15. On top of that, United States appears to be the country where this track was created. Based on our statistics, End Credits (From Chinatown)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of End Credits (From Chinatown) by The Meridian Studio Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Book's Disappearance | Maurice Jarre | D Minor | 1 | 7A | 61 BPM | ||
| The Diner, Pt. 1 | Daniel Hart | C Major | 5 | 8B | 110 BPM | ||
| Miles and Maya | Rolfe Kent | G Minor | 0 | 6A | 65 BPM | ||
| End Credits from "Ghost Story" | The Meridian Studio Ensemble | F Minor | 0 | 4A | 138 BPM | ||
| Quai De Seine | John Greaves | E Minor | 2 | 9A | 80 BPM | ||
| I Know What I Have To Do | Jeff Beal | A♭ Major | 1 | 4B | 71 BPM | ||
| L'assassinat de Carala - Bande originale du film "Ascenseur pour l'échafaud" | Miles Davis | D Minor | 1 | 7A | 122 BPM | ||
| The New York City Ghost - Instrumental | Herbie Harper | G Major | 1 | 9B | 114 BPM | ||
| Jimmy's Anguish | Clint Eastwood | C Major | 1 | 8B | 81 BPM | ||
| Always Say Goodbye | Charlie Haden Quartet West | F Minor | 1 | 4A | 62 BPM | ||
| Main Theme (Redux) | Andrew Hale | B♭ Minor | 1 | 3A | 92 BPM | ||
| Don't Break A Promise | Jeff Beal | F Minor | 1 | 4A | 76 BPM | ||
| Evil Dead (2013)-Sad Memories | The Meridian Studio Ensemble | D Minor | 0 | 7A | 106 BPM | ||
| Gumshoe Blues | Paul Pritchard | F Minor | 2 | 4A | 142 BPM | ||
| Le samouraï se remixe (Partie 1) - Bande originale du film "Le samouraï" | Nicolas Errera | D Minor | 1 | 7A | 121 BPM | ||
| La vida inesperada | Gabriel Andrés Gallegos, Budapest Art Orchestra | G Major | 1 | 9B | 179 BPM | ||
| Picture In the Rain | Gato Barbieri | F Minor | 4 | 4A | 82 BPM | ||
| Karin | Bohren & Der Club Of Gore | F Minor | 0 | 4A | 100 BPM | ||
| Play The Game - 50th Anniversary / Remastered 2025 | Jack Nitzsche | C Major | 3 | 8B | 97 BPM | ||
| The Last Chance - L' ultima Chance (Main Titles) | Luis Bacalov | D Minor | 2 | 7A | 144 BPM | ||
| Invocation | Wojciech Kilar | A Major | 2 | 11B | 58 BPM | ||
| Slow pour vibra et trombone - From "Le doulos" | Paul Misraki | C Minor | 1 | 5A | 80 BPM | ||
| Minor 9th | Andrew Hale | A Major | 0 | 11B | 77 BPM | ||
| Blanche | Ray Heindorf | F Minor | 1 | 4A | 176 BPM | ||
| Hollywood After Dark | Hollywood Trailer Music Orchestra | A Minor | 5 | 8A | 98 BPM |