Terry Riley, Brooklyn Raga Massive's 'Cells 22-27' had a release date set for October 6, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Terry Riley In C". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. In terms of popularity, Cells 22-27 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cells 22-27 by Terry Riley, Brooklyn Raga Massive having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
| Extended Circular Music No. 5 | Jürg Frey, Fabio Oehrli, Jonas Tschanz, Stefan Rolli | E♭ Major | 0 | 5B | 137 BPM | ||
| Jimmy V | Mary Lattimore | F Minor | 1 | 4A | 79 BPM | ||
| Mio Jeone | Thelma | C Major | 2 | 8B | 65 BPM | ||
| The Harp of New Albion: VIII. The Magic Knot Waltz | Terry Riley | F Major | 2 | 7B | 87 BPM | ||
| Ho Renomo | Cluster, Brian Eno | D Major | 2 | 10B | 114 BPM | ||
| Bass Intuition | Bradford Reed | C Major | 2 | 8B | 65 BPM | ||
| Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM | ||
| The advent of rose + Croix | Roberto Musci, Giovanni Venosta, Massimo Mariani | B Major | 2 | 1B | 115 BPM | ||
| Piano & Violoncello 6 | Irena And Vojtech Havlovi | G Minor | 1 | 6A | 65 BPM | ||
| Caterpillar | Astral | G Major | 4 | 9B | 198 BPM | ||
| Fructus Ventris | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM | ||
| The Dance No. 2 | Laraaji, Brian Eno | B Minor | 8 | 10A | 112 BPM | ||
| Rohtko Chapel 1 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | ||
| Drums | Laurie Spiegel | B Minor | 4 | 10A | 160 BPM | ||
| Everyone Alive Wants Answers | Colleen | F♯ Minor | 8 | 11A | 108 BPM | ||
| Mantra Of The Touching Of The Heart | Popol Vuh, Ulrich Kraus | A Major | 2 | 11B | 82 BPM | ||
| Avalokiteshvara (Music for Harp) - 1964 | Lou Harrison, Floraleda Sacchi | F Minor | 1 | 4A | 142 BPM | ||
| Partita for 8 Singers: 2. Sarabande | Caroline Shaw, Roomful of Teeth, Brad Wells | C Major | 2 | 8B | 62 BPM | ||
| China Gates | John Adams, Anthony Romaniuk | B Minor | 7 | 10A | 115 BPM | ||
| Upgrade OS | Emz Koolie | D♭ Major | 1 | 3B | 142 BPM | ||
| In a Landscape | John Cage, Raffaele Grimaldi | D Minor | 3 | 7A | 78 BPM | ||
| The Wind in High Places: II. Maclaren Summit | John Luther Adams, JACK Quartet | D Major | 1 | 10B | 103 BPM |