On April 24, 1990, the song "Scratching The Whole" was released by Bootsauce. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "The Brown Album". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Canada. Based on our statistics, Scratching The Whole's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Scratching The Whole by Bootsauce having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vicious | Limblifter | A Major | 9 | 11B | 132 BPM | ||
| Caught Looking At You | Bootsauce | F♯ Major | 9 | 2B | 113 BPM | ||
| Everyone's A Winner - Remix | Bootsauce | A Major | 7 | 11B | 109 BPM | ||
| A Girl Like You | The Smithereens | D♭ Major | 8 | 3B | 124 BPM | ||
| Sister Havana | Urge Overkill | F Major | 8 | 7B | 137 BPM | ||
| Where Is This Love | The Payolas | A Major | 3 | 11B | 93 BPM | ||
| Where You Get Love | Matthew Sweet | E Major | 8 | 12B | 108 BPM | ||
| Dancing On My Own Ground | Gowan | D♭ Major | 8 | 3B | 105 BPM | ||
| Blues Before And After | The Smithereens | D♭ Minor | 8 | 12A | 127 BPM | ||
| The Second That I Saw You | Strange Advance | G Major | 8 | 9B | 108 BPM | ||
| Change | Wide Mouth Mason | C Major | 8 | 8B | 103 BPM | ||
| Walking In The Woods | The Pursuit Of Happiness | A Major | 7 | 11B | 119 BPM | ||
| Silver | Moist | A Minor | 7 | 8A | 89 BPM | ||
| Eat My Brain | Odds | C Major | 6 | 8B | 90 BPM | ||
| Nova Heart | Spoons | F Major | 8 | 7B | 144 BPM | ||
| Blunt | Econoline Crush | D Major | 7 | 10B | 180 BPM | ||
| Little Bones | The Tragically Hip | E Major | 9 | 12B | 143 BPM | ||
| Everything Is Automatic | Matthew Good Band | D Major | 8 | 10B | 150 BPM | ||
| At The Feet Of The Moon | The Parachute Club | D♭ Major | 9 | 3B | 118 BPM | ||
| Run Hide | The Watchmen | D Major | 10 | 10B | 133 BPM | ||
| Hindsight | Headstones | A Major | 10 | 11B | 137 BPM | ||
| Heterosexual Man | Odds | C Major | 7 | 8B | 139 BPM | ||
| Better Get Used To It | Big Sugar | G Major | 7 | 9B | 96 BPM | ||
| I Don't Mind | The Age Of Electric | A♭ Minor | 8 | 1A | 81 BPM | ||
| I Saw You There | Bootsauce | D Major | 8 | 10B | 131 BPM |